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The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

Landscape with Saint Jerome
Oil on panel. 1516 - 1517
Patinir, Joachim
Landscape with Saint Jerome
Oil on panel. 1516 - 1517
Patinir, Joachim

Patinir shows St Jerome sitting inside the wooden shack that leans against the rocks in the foreground. As with the Landscape with the Martyrdom of St Catherine in Vienna (Kunsthistorisches Museum), t [+]

The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1508
Titian (Tiziano Vecellio)
The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1508
Titian (Tiziano Vecellio)

This work was first recorded in 1641 as a work by Titian belonging to the Duke of Medina de las Torres in Naples. It was, however, attributed to Giorgione for centuries until Wilhelm Schmidt again att [+]

The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)
The Worship of Venus
Oil on canvas. 1518 - 1519
Titian (Tiziano Vecellio)

Titian´s first contribution to the Camerino d´Alabastro was prompted by the death in October 1587 of Fra Bartolommeo from whom Alfonso d´Este had commissioned a Worship of Venus one year previously an [+]

Portrait of a Young Gentleman
Oil on panel. 1517 - 1520
Mostaert, Jan
Portrait of a Young Gentleman
Oil on panel. 1517 - 1520
Mostaert, Jan

As this painting shows, the German portrait style survived in Antwerp well into the sixteenth century: the sitter is shown half-length against a brightly-coloured background. In his left hand he holds [+]

Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)
Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)

Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]

The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)
The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)

Outside of Rome and Florence, no painter was as decisive in the formulation of painting´s classical language as Corregio. His youth, before his stay in Rome in 1518 and 1519, cannot be understood with [+]

Portrait of a Gentleman from the Van Beijeren van Schagen Family (Johan van Beijeren van Schagen?)
Oil on canvas. 1610 - 1615
Mierevelt, Michiel Jansz. Van
Portrait of a Gentleman from the Van Beijeren van Schagen Family (Johan van Beijeren van Schagen?)
Oil on canvas. 1610 - 1615
Mierevelt, Michiel Jansz. Van

Like the Portrait of a Lady of the Van Beijeren van Schagen Family (P2976), this portrait is a representative example of Mierevelt`s work in this genre. The support is also constructed in the same way [+]

Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan
Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan

Charles II was born in 1661, the only son of Philip IV and his second wife (and niece), Mariana of Austria, to survive to adulthood. Charles succeeded his father in 1665 and died without an heir in 17 [+]

Charity
Oil on panel. 1550 - 1560
Sellaert, Vincent
Charity
Oil on panel. 1550 - 1560
Sellaert, Vincent

Active mainly in Mechelen, Sellaert became familiar with Italian art first-hand during a trip in 1525. The figure of Charity was inspired by Leonardo’s Leda and the Swan. The inscription in Latin "Per [+]

Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim
Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim

In addition to the originality of its subject, this painting by Patinir is also remarkable for its unusual composition within Patinir`s oeuvre. The artist has divided the space vertically into three z [+]

The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro
The Virgin and the Souls of Purgatory
Oil on poplar panel. 1517
Machuca, Pedro

This work is a curious version of the Virgin of the Milk, a symbol of Mary’s compassion that serves, in this case, to comfort the souls in Purgatory. The subject, and especially its derivation here as [+]

The Holy Family with the Infant Saint John the Baptist, or Madonna of the Rose
Oil on panel transferred to canvas. Ca. 1517
Raphael (Raffaello Sanzio)
The Holy Family with the Infant Saint John the Baptist, or Madonna of the Rose
Oil on panel transferred to canvas. Ca. 1517
Raphael (Raffaello Sanzio)

The first verified Spanish documentation of Holy Family with the Infant Saint John the Baptist or Madonna of the Rose, c. 1517, dates from 1657. In 1642 Wenceslaus Hollar engraved this composition aft [+]

Saint Barbara
Oil on panel. Ca. 1522
Parmigianino. Girolamo Francesco Maria Mazzola
Saint Barbara
Oil on panel. Ca. 1522
Parmigianino. Girolamo Francesco Maria Mazzola

A portrait of Saint Barbara in profile on a black background. In her hands, she holds a tower, which was her symbol. A third-century Christian martyr, Saint Barbara was shut up in a tower and later de [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'
The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'

This drawing was formerly placed under the name of the French painter Jacques Blanchard (1600-1638), to whom it is traditionally attributed. The style, however, points directly to the work of the late [+]

The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni
The Adoration of the Shepherds
Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Late XVI century
Balducci, Giovanni

This attractive compositional study is typical of Balducci´s style of drawing from the 1580s, the period of the artist´s early maturity. The pictorial effect is enhanced by the hot, brick-red ground, [+]

St. Sebastian
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)
St. Sebastian
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Circle Of India, Bernardino)

The old attribution to Francesco Raibolini, called Francia (c. 1450-1517), is clearly fanciful. The drawing is surely later, possibly from the second half of the sixteenth century, and it is possible [+]

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