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Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)
Portrait of a Woman
Oil on panel. Ca. 1514
Sarto, Andrea del (Andrea D'agnolo)

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

The Painter Martin Ryckaert
Oil on panel. Ca. 1631
Dyck, Anthony Van
The Painter Martin Ryckaert
Oil on panel. Ca. 1631
Dyck, Anthony Van

The famous Flemish painter is portrayed almost full-length, sitting in a chair and wearing red robes and a fur coat. This landscape painter and contemporary of Van Dyck had no left arm, which is clear [+]

The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola
The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola

When Parmigianino left his native city of Parma to move to Rome in 1524 he took this painting with him and presented it to Pope Clement VII. This is the artist´s first mature work and one that already [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

The Worship of Venus
Oil on canvas. 1518
Titian (Tiziano Vecellio)
The Worship of Venus
Oil on canvas. 1518
Titian (Tiziano Vecellio)

Titian´s first contribution to the Camerino d´Alabastro was prompted by the death in October 1517 of Fra Bartolommeo from whom Alfonso d´Este had commissioned a Worship of Venus one year previously an [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Colled Master Of Sigena)
The Nativity
Oil on panel. 1514 - 1519
Rodrigo de Sojonia (Colled Master Of Sigena)

This panel is from the principal altarpiece in the monastery at Sijena (Huesca). The composition, monumentality of the figures, intense colours and the cross-sectioned architectural structures of Ital [+]

Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)
Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)

Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]

The Agony in the Garden
Oil on pine panel. 1514 - 1519
Flandes, Juan de
The Agony in the Garden
Oil on pine panel. 1514 - 1519
Flandes, Juan de

In keeping with the Gospel according to Saint Luke (22: 39-46), Christ, far from the disciples, kneels down with his hands separated and prays to the Father to take away the cup of suffering he must d [+]

The Ascension
Oil on pine panel. 1514 - 1519
Flandes, Juan de
The Ascension
Oil on pine panel. 1514 - 1519
Flandes, Juan de

Hidden by a cloud, Christ ascends to heaven, watched by Mary and the apostles, amongst whom James is placed in a prominent position. He appears with a staff and a pilgrim’s hat. The upper part of Chri [+]

The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)
The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)

Outside of Rome and Florence, no painter was as decisive in the formulation of painting´s classical language as Corregio. His youth, before his stay in Rome in 1518 and 1519, cannot be understood with [+]

Pentecost
Oil on pine panel. 1514 - 1519
Flandes, Juan de
Pentecost
Oil on pine panel. 1514 - 1519
Flandes, Juan de

According to the Acts of the Apostles (2: 1-41), the Virgin and the apostles were gathered in the Upper Room when the Holy Spirit descended on them in the form of tongues of fire. The Holy Spirit is s [+]

Unknown Lady
Oil on canvas. Ca. 1628
Dyck, Anthony Van
Unknown Lady
Oil on canvas. Ca. 1628
Dyck, Anthony Van

Wearing black, with a broad, Spanish-style ruff collar and a three-strand necklace that she grasps in her right hand, this lady is presented to the viewer as serene and haughty. The influence of Antho [+]

The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim
The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim

The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]

The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family
The Virgin nursing the Child
Mixed method on panel. Ca. 1490
Master Of The Luna Family

The artist of this panel is traditionally referred to as the Master of the Luna Family, whom Post first identified in 1933 as one of the two painters who produced the altarpiece for the chapel of Sain [+]

The Raising of Lazarus
Oil on pine panel. 1514 - 1519
Flandes, Juan de
The Raising of Lazarus
Oil on pine panel. 1514 - 1519
Flandes, Juan de

In keeping with the style of his final years in Palencia, this Flemish painter increases the size of the three main figures- Christ blesses Lazurus, who rises from the tomb. His hand rests on the top [+]

Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)
Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)

Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea [+]

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