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The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)
The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)

The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]

Mary Magdalene before Christ’s Tomb
Oil on panel. Ca. 1612
Ribalta, Francisco (Attributed To)
Mary Magdalene before Christ’s Tomb
Oil on panel. Ca. 1612
Ribalta, Francisco (Attributed To)

The presence in Valencia in 1521 of several works by Sebastiano del Piombo, acquired by the diplomat Jerónimo Vich, inspired various generations of local artists. In this oil on panel recently [+]

Christ’s Descent into Limbo
Oil on canvas. 1516
Piombo, Sebastiano del
Christ’s Descent into Limbo
Oil on canvas. 1516
Piombo, Sebastiano del

Wearing a white tunic and bearing the standard of victory, Christ leans toward Adam and Eve who, nude, hope to be rescued from Limbo and taken to the Kingdom of Heaven. This passage appears in the Apo [+]

Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del

Jerónimo Vich y Valterra (1459-1535) was Spain’s ambassador to Rome between 1506 and 1521, under the reigns of Ferdinand the Catholic and Charles V. Vich commissioned Sebastiano del Piombo to p [+]

Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del
Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del

Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]

Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo
Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo

Having trained in Venice, probably with Giovanni Bellini, Lorenzo Lotto worked in Treviso (1503-1506), Recanati (1506- 1508) and Rome (c. 1508-1510) before settling in Bergamo.There, between 1513 and [+]

Christ the Redeemer Procession in Antwerp, 27 August 1685
Oil on canvas. 1687 - 1688
Minderhout, Hendrik Van
Christ the Redeemer Procession in Antwerp, 27 August 1685
Oil on canvas. 1687 - 1688
Minderhout, Hendrik Van

The scene shows the Christ the Redeemer procession organised in Antwerp in 1685 to commemorate the centenary of the assault on the city by Spanish troops under the command of Alessandro Farnese on 27 [+]

Margaret, Duchess of Parma / Mary of Portugal, Wife of Alessandro Farnesse
Oil on panel. After 1565
Mor, Anthonis
Margaret, Duchess of Parma / Mary of Portugal, Wife of Alessandro Farnesse
Oil on panel. After 1565
Mor, Anthonis

On the diptych’s left door, Mor portrays Alexander Farnese’s mother, who was Charles V’s illegitimate daughter by Juana van der Gheyst. Born in Audenarde in 1521, she died in Ortonna in 1586 after mar [+]

The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente
The Coronation of the Virgin
Oil on panel. After 1521
Macip, Vicente

The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]

The Virgin crowned by two Angels
Oil on panel. Ca. 1520
David, Gérard
The Virgin crowned by two Angels
Oil on panel. Ca. 1520
David, Gérard

A more than half-length image of the Virgin over a gold background. She holds the Christ Child while two angels crown her as Queen of Heaven. The thistles the Christ Child plays with are a clear allus [+]

The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)
The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)

A former owner of this impressive drawing believed it to be from the hand of the Bolognese painter Bartolomeo Bagnacavallo, who, according to Vasari, travelled to Rome together with Biagio Pupini (act [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

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