The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
13 results
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del
Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del

Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]

The Virgin and Child between Saint Matthew and an Angel
Oil on panel. 1522
Sarto, Andrea del (Andrea D'agnolo)
The Virgin and Child between Saint Matthew and an Angel
Oil on panel. 1522
Sarto, Andrea del (Andrea D'agnolo)

The Virgin Mary holds the Christ Child, flanked on the right by an angel and, on the left, by Saint Matthew. The landscape in the background shows a scene from the Apocrypha (Proto-Gospel of Saint Jam [+]

The Holy Family
Oil on panel. 1522
Orley, Bernard Van
The Holy Family
Oil on panel. 1522
Orley, Bernard Van

The Holy Family is shown indoors, in front of a window thought which a costal landscape is visible. The Christ Child stands on a sumptuous carpet and plays with his mother. Saint Joseph holds an apple [+]

The Visitation
Oil on panel transferred to canvas. Ca. 1517
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco
The Visitation
Oil on panel transferred to canvas. Ca. 1517
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco

The Virgin Mary visits her cousin, Elisabeth, who is pregnant with Saint John, as told in the New Testament (Luke 1, 39-45). That is the moment when the Virgin sings the Magnificat. The two figures ca [+]

The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)
The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)

Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacc [+]

Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)
Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)

Although this panel is not documented, it has been attributed to Scorel since its attribution by Hoogewerff in 1923.The artist depicts the unknown humanist half-length in front of a landscape. Scorel’ [+]

Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)
Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)

On the reverse of this portrait is an old inscription in ink reading ‘MAESTRO QUINTIN’. Bosque attributed it to that artist in his catalogue, although emphasising the difference of technique between t [+]

Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)

This portrait commemorates Charles V’s victory over the Schmalkaldic League at Mühlberg on 24 April 1547. The Emperor is equipped in the manner of the light cavalry with a half pike and wheel-loc [+]

The Holy Family with the Infant Saint John the Baptist, or Madonna of the Rose
Oil on panel transferred to canvas. Ca. 1517
Raphael (Raffaello Sanzio)
The Holy Family with the Infant Saint John the Baptist, or Madonna of the Rose
Oil on panel transferred to canvas. Ca. 1517
Raphael (Raffaello Sanzio)

The first verified Spanish documentation of Holy Family with the Infant Saint John the Baptist or Madonna of the Rose, c. 1517, dates from 1657. In 1642 Wenceslaus Hollar engraved this composition aft [+]

The Birth of the Virgin
Pencil, Grey-brown ink on paper. XVI century
Anonymous
The Birth of the Virgin
Pencil, Grey-brown ink on paper. XVI century
Anonymous

This seems a good drawing by a competent hand. While there are some hints of the work of the two sienese artist, Andrea Casolani (1522/23-1608) and Astolfo Petrazzi (1579-1665), other aspects of the d [+]

No comas celebre Torregiano
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
No comas celebre Torregiano
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Agate cup in the form of a peach
Agate. XVII century
Taller de la Dinastía Ch´ing
Agate cup in the form of a peach
Agate. XVII century
Taller de la Dinastía Ch´ing

A vessel formed by a single piece of agate with a handle in the form of a branch curved over an everted lanceolate bowl with smooth sides. The handle branches out at the base with carved leaves and fl [+]

Up