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Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

The Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)
The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)

This version of the Mona Lisa (Louvre) was painted by one of Leonardo’s pupils, probably Salaí (1480-1524) or Francesco Melzi (1493-1572/3). The fact that each pentimento, or change, in Leonard [+]

The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim
The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim

The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]

The Virgin and Child with a Spindle
Oil on panel. 1566
Morales, Luis de
The Virgin and Child with a Spindle
Oil on panel. 1566
Morales, Luis de

This panel formed part of an altar dedicated to St Anne at Badajoz Cathedral. Commissioned by the bishop at that time, Juan de Ribera (1532-1611), it shows the young Virgin Mary seated half-length aga [+]

Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim
Charon crossing the Styx
Oil on panel. 1520 - 1524
Patinir, Joachim

In addition to the originality of its subject, this painting by Patinir is also remarkable for its unusual composition within Patinir`s oeuvre. The artist has divided the space vertically into three z [+]

Christ, Man of Sorrows
Oil on panel. 1566
Morales, Luis de
Christ, Man of Sorrows
Oil on panel. 1566
Morales, Luis de

Like The Virgin and Child with a Spindle (P07864), this panel formed part of the altar of St Anne in Badajoz Cathedral, commissioned by the bishop of the time, Juan de Ribera (1532-1611). It is really [+]

The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola
The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola

When Parmigianino left his native city of Parma to move to Rome in 1524 he took this painting with him and presented it to Pope Clement VII. This is the artist´s first mature work and one that already [+]

The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)
The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)

The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]

The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))
The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))

Pareja de El Descendimiento o La Quinta Angustia (P117), ambos son copias en pequeño formato de dos óleos sobre lienzo pintados por Correggio entre 1520 y 1524 para la iglesia de San Giovanni Evangeli [+]

Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous
Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous

The figure type and the finished style of drawing suggest the work of the Lombard painters Bernardino Luini (c. 1480/85-1532) or Andrea Solario (c. 1465-1524). A number of weaknesses in the handling, [+]

The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'
The Virgin and Child
Red chalk on paper. Ca. 1606
Arpino, Il Cavaliere D'

This drawing was formerly placed under the name of the French painter Jacques Blanchard (1600-1638), to whom it is traditionally attributed. The style, however, points directly to the work of the late [+]

Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)
Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)

This is the most Raphaelesque of all the sixteenth-century Italian drawings in the Prado, the confident style of drawing in black chalk echoing that of Raphael´s own late drawings in the medium, above [+]

Hercules Firing an Arrow at the Centaur Nessus, who flees with the Nymph Dejanira on his Back
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. 1550 - 1560
Brusasorci, Domenico (Attributed To)
Hercules Firing an Arrow at the Centaur Nessus, who flees with the Nymph Dejanira on his Back
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. 1550 - 1560
Brusasorci, Domenico (Attributed To)

Classified in the collections of Brun and Fernández Durán as by Paolo Farinati (1524-1606). The silvery finish, suggested by the copious white heightening on a support of light blue-grey [+]

Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)
Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)

The two Barbarian prisoners appear over the main door-way, to the left of a military trophy, in Polidoro´s facade decoration of the Palazzo Ricci, Rome (Ravelli, 1978, pp. 311-27; Leone de Castris, 20 [+]

Head of a Woman
Red chalk on yellow paper. XVI century
Anonymous (Follower Of Leonardo Da Vinci)
Head of a Woman
Red chalk on yellow paper. XVI century
Anonymous (Follower Of Leonardo Da Vinci)

Although by a mediocre hand, this head calls to mind those in red chalk of a similar type by Giovanni Agostino da Lodi (active c. 1467-1524/25), a Milanese follower of Leonardo, a fine example of whi [+]

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