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Portrait of an Old Man
Oil on panel. 1525 - 1527
Cleve, Joos Van (Also Known As Joos Van Der Beke)
Portrait of an Old Man
Oil on panel. 1525 - 1527
Cleve, Joos Van (Also Known As Joos Van Der Beke)

El personaje es representado de medio cuerpo y ante un fondo oscuro. El artista tradujo de forma magistral el rostro y las manos del anciano e insistió en los detalles fisonómicos, pero materializándo [+]

Saint Catherine of Alexandria, possibly a portrait of Catherine of Austria
Oil on panel. Ca. 1530
Carvalho, Domingo
Saint Catherine of Alexandria, possibly a portrait of Catherine of Austria
Oil on panel. Ca. 1530
Carvalho, Domingo

Although the crown, sword and serrated wheel identifies this figure as the fourth-century saint, Catherine, it has also been suggested that the sitter is Catherine of Austria (1507-1578), daughter of [+]

Country Life
Oil on canvas. 1620 - 1622
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de
Country Life
Oil on canvas. 1620 - 1622
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de

A broad view of the Flemish countryside, with diverse scenes of peasants carrying out their respective tasks. This is one of the finest examples of the collaboration between Jan Brueghel “the Elder”, [+]

Winter Landscape with Skaters
Oil on canvas. 1629
Droochsloot, Joost Cornelisz.
Winter Landscape with Skaters
Oil on canvas. 1629
Droochsloot, Joost Cornelisz.

Droochsloot was the only artist in the Utrecht school who cultivated the painting of scenes featuring winter landscapes and pastimes, a favourite genre in sixteenth -and seventeenth- century Dutch pai [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous
The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous

This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Myst [+]

Christ giving the Keys to Saint Peter
Oil on panel. Ca. 1520
Catena, Vincenzo
Christ giving the Keys to Saint Peter
Oil on panel. Ca. 1520
Catena, Vincenzo

Christ gives the keys to Saint Peter, symbolising the latter’s authority over the Church, observed by three young women identified with the theological Virtues:Charity, in a white tunic, Faith in a vi [+]

Saint Francis of Assisi
Oil on panel. 1515 - 1525
Yáñez de la Almedina, Fernando
Saint Francis of Assisi
Oil on panel. 1515 - 1525
Yáñez de la Almedina, Fernando

This panel and its pair Saint Onuphrius (P07947), must originally have formed part of a more complex structure probably produced during the artist’s last years in Valencia or his first years in Cuenca [+]

Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus
Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus

Two banderoles, one above and the other below the central circle, contain Latin texts from Deuteronomy (32: 28-29 and 20), warning against the wages of sin. The upper banderole, between the tondos of [+]

The Archery Contest
Oil on panel. Ca. 1645
Teniers The Younger, David
The Archery Contest
Oil on panel. Ca. 1645
Teniers The Younger, David

A group of villagers pass the time by testing their aim with a bow. One shoots at the target placed in the ruins of a wall while the others look on, standing or sitting, and a small group converse. Th [+]

The Virgin of Louvain
Oil on panel. Ca. 1520
Orley, Bernard Van
The Virgin of Louvain
Oil on panel. Ca. 1520
Orley, Bernard Van

According to the Latin inscription on the back of this panel, which attributes it to Jan Gossaert, it was acquired by the magistrate of Louvain in 1588 from that city’s Augustinian monks. It was inten [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

Four Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous
Four Apostles, Hermitage of Vera Cruz, Maderuelo (Segovia)
Fresco painting on mural transferred to canvas. XII century
Anonymous

The mural paintings from the Hermitage of the Vera Cruz de Maderuelo were transferred to canvas in 1947 and reconstructed at the Prado Museum in a layout as faithful to the original as possible. The w [+]

Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan
Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan

This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]

The Virgin crowned by two Angels
Oil on panel. Ca. 1520
David, Gérard
The Virgin crowned by two Angels
Oil on panel. Ca. 1520
David, Gérard

A more than half-length image of the Virgin over a gold background. She holds the Christ Child while two angels crown her as Queen of Heaven. The thistles the Christ Child plays with are a clear allus [+]

Ecce Homo
Oil on panel. 1520 - 1525
Maestro de la Santa Sangre
Ecce Homo
Oil on panel. 1520 - 1525
Maestro de la Santa Sangre

Trained in Antwerp and influenced by Quintin Massys, as this panel reveals, the anonymous Master of the Holy Blood had an active workshop in Bruges. In contrast to Massys’ painting of this subject in [+]

Triptych with the Annunciation, the Adoration of the Magi and the Nativity with Angels and Shepherds
Oil on panel. 1525 - 1550
Coecke Van Aelst, Pieter
Triptych with the Annunciation, the Adoration of the Magi and the Nativity with Angels and Shepherds
Oil on panel. 1525 - 1550
Coecke Van Aelst, Pieter

This triptych shows The Adoration of the Magi on its central panel, with The Annunciation on the left door and The Adoration of the Angels and Shepherds on the right. Each scene takes place in a diffe [+]

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