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Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso
Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso

La tabla representa La Templanza, una de las cuatro virtudes cardinales, moderadora de los placeres y los instintos humanos. La virtud se personifica en una joven representada de media figura con el t [+]

The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola
The Holy Family with Angels
Oil on panel. Ca. 1524
Parmigianino. Girolamo Francesco Maria Mazzola

When Parmigianino left his native city of Parma to move to Rome in 1524 he took this painting with him and presented it to Pope Clement VII. This is the artist´s first mature work and one that already [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)
The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten (? Massys, Jan)

The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]

The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro
The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro

Christ´s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the Evangelist. Among the people at his feet are the Virgin Mary, the mother of Joseph —also called Mary— as [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni
Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni

A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]

The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))
Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))

Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]

The Martyrdom of Father Andrés, Prior of the Seiz Charterhouse
Oil on canvas. 1626 - 1632
Carducho, Vicente
The Martyrdom of Father Andrés, Prior of the Seiz Charterhouse
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da
Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da

Michel Hochmann identified the painting in the Capodimonte as the ‘Quadretto corniciato di pero tinto con un ritratto di un giovane, in pietra di Genova, di mano del medesimo [Daniele]’ refered to in [+]

Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten
Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten

Quentin Massys was one of the leading Flemish painters of the late fifteenth and early sixteenth century and developed his professional career in Antwerp. The origin of this painting is unknown. It ha [+]

The Martyrdom of the Mauerbach Carthusians
Oil on canvas. 1632
Carducho, Vicente
The Martyrdom of the Mauerbach Carthusians
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)
Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)

Traditionally given to Polidoro da Caravaggio (c. 1499-ca. 1543). The figure´s pose and the handling of the media suggest the work of an artist from the circle of Taddeo Zuccaro (1529-1566). Especial [+]

The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

On the verso are extensive notes about the Flemish sculptor Pietro Francavilla (1548-1615). Francavilla received his early training in Paris and Innsbruck. Archduke Ferdinand of Austria provided him w [+]

Nativity, with St. Francis and a female monastic saint; behind angels carrying symbols of the Passion
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino
Nativity, with St. Francis and a female monastic saint; behind angels carrying symbols of the Passion
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino

The correct attribution to India, also a painter from Verona and one of a number of local followers of Veronese (1528-1588), is Alessandro Ballarin´s. India worked almost exclusively in and around his [+]

Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)
Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio (Copy After Polidoro Da Caravaggio)

The two Barbarian prisoners appear over the main door-way, to the left of a military trophy, in Polidoro´s facade decoration of the Palazzo Ricci, Rome (Ravelli, 1978, pp. 311-27; Leone de Castris, 20 [+]

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