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Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso
Allegory of Temperance
Oil on panel. 1513 - 1516
Berruguete, Alonso

This painting is among the few known works from Berruguete’s formative years in Florence and Rome, the latter depicted in the background. The bridle bit, the hand on the breast and the laurel wreath a [+]

The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten
The Virgin in Prayer
Oil on oak panel. Ca. 1529
Massys, Quinten

The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]

Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni
Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni

A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]

The Martyrdom of Father Andrés, Prior of the Seiz Charterhouse
Oil on canvas. 1626 - 1632
Carducho, Vicente
The Martyrdom of Father Andrés, Prior of the Seiz Charterhouse
Oil on canvas. 1626 - 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten
Christ the Saviour
Oil on oak panel. 1529
Massys, Quinten

Quentin Massys was one of the leading Flemish painters of the late fifteenth and early sixteenth century and developed his professional career in Antwerp. The origin of this painting is unknown. It ha [+]

The Martyrdom of the Mauerbach Carthusians
Oil on canvas. 1632
Carducho, Vicente
The Martyrdom of the Mauerbach Carthusians
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)
Draped Female Figure [the Virgin at the Foot of the Cross (¿?)]
Pencil, Grey-brown ink, White lead, Wash on grey paper. Second half of the XVI century
Trometta (Attributed To)

Traditionally given to Polidoro da Caravaggio (c. 1499-ca. 1543). The figure´s pose and the handling of the media suggest the work of an artist from the circle of Taddeo Zuccaro (1529-1566). Especial [+]

The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

On the verso are extensive notes about the Flemish sculptor Pietro Francavilla (1548-1615). Francavilla received his early training in Paris and Innsbruck. Archduke Ferdinand of Austria provided him w [+]

Nativity, with St. Francis and a female monastic saint; behind angels carrying symbols of the Passion
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino
Nativity, with St. Francis and a female monastic saint; behind angels carrying symbols of the Passion
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino

The correct attribution to India, also a painter from Verona and one of a number of local followers of Veronese (1528-1588), is Alessandro Ballarin´s. India worked almost exclusively in and around his [+]

Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio
Two Barbarian Prisoners Seated before a Trophy of Arms
Pencil, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on blue paper. Ca. 1524
Pupini, Biagio

The two Barbarian prisoners appear over the main door-way, to the left of a military trophy, in Polidoro´s facade decoration of the Palazzo Ricci, Rome (Ravelli, 1978, pp. 311-27; Leone de Castris, 20 [+]

Head of a bearded man
Pencil, Grey-brown ink on yellow paper. First quarter of the XVII century
Anonymous
Head of a bearded man
Pencil, Grey-brown ink on yellow paper. First quarter of the XVII century
Anonymous

The drawing was in the collections of Brun (?) and Fernández Durán´s as Passerotti (1529-1592), from whose style it is however rather different. A pencil attribution to Brizio on the rev [+]

The Magdalen
Pencil, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Young Palma (Jacopo Negretti)
The Magdalen
Pencil, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Young Palma (Jacopo Negretti)

Palma Giovane was one of the leading artists active in Venice at the turn of the century, his career continuing well into the second quarter of the century following. He was, moreover, among the most [+]

Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo
Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo

Collectors and connoisseurs have long admired the powerfully executed, often large-scale drawings by Bartolomeo Passarotti. His finished pen studies, such as Head of a figure (Testa di una figura), 15 [+]

Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco
Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco

Owing to their ascending composition and their evidently decorative character, it is believed that these sculptural groups, the so-called Triumphs, were designed as table centrepieces. Like its pair ( [+]

The Art of War
Bronze. 1730 - 1740
Bertós, Francesco
The Art of War
Bronze. 1730 - 1740
Bertós, Francesco

The prime achievement of the Venetian sculptor Bertós was his Triumphs, virtuoso groups of cabinet sculptures formed by stylised figures intertwined in lively and complex compositions. This mag [+]

Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco
Sculpture, Arithmetics and Architecture
Bronze. 1730 - 1740
Bertós, Francesco

In this group, characteristic of the Venetian Bertós’s technical virtuosity, the allegories of the liberal arts are accompanied by personifications such as Perfection, Intellect, Truth and Valo [+]

Self-portrait of Rogier van der Weyden
Burin on laid paper. 1572
Cort, Cornelis; Galle, Theodoor
Self-portrait of Rogier van der Weyden
Burin on laid paper. 1572
Cort, Cornelis; Galle, Theodoor

Estampa realizada a partir de un supuesto autorretrato de Rogier van der Weyden incluido en una serie de pinturas perdidas del Ayuntamiento de Bruselas. Se conserva un dibujo anónimo relacionado en la [+]

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