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Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))
Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))

Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

On the verso are extensive notes about the Flemish sculptor Pietro Francavilla (1548-1615). Francavilla received his early training in Paris and Innsbruck. Archduke Ferdinand of Austria provided him w [+]

Head of a bearded man
Pencil, Grey-brown ink on yellow paper. First quarter of the XVII century
Anonymous (Follower Of Brizio, Francesco)
Head of a bearded man
Pencil, Grey-brown ink on yellow paper. First quarter of the XVII century
Anonymous (Follower Of Brizio, Francesco)

The drawing was in the collections of Brun (?) and Fernández Durán´s as Passerotti (1529-1592), from whose style it is however rather different. A pencil attribution to Brizio on the rev [+]

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