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This painting depicts the moment after Hercules has killed King Geryon, identified by the crown on his head. The monarch had come to defend his herd of oxen and cows after the god Eurystheus had order [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
Atribuido a Antonio Moro, carece de inscripciones o de un escudo que permita identificar a esta dama joven, retratada por el pintor de Utrecht con el porte que corresponde a la nobleza de su cuna como [+]
Con la adquisición en 2008 de la tabla Sagrada Familia con ángel músico (P08009), el Museo del Prado completa el tríptico del Maestro de Francfort, que perteneció al convento dominico de Santa Cruz de [+]
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Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]
Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]
The saint kneels in prayer before an image of the Virgin and Child. The dove of the Holy Ghost hovers over her head. Her parents look on with admiring expressions from behind. The background architect [+]
This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]
Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del s [+]
This scene portrays the moment described in the Old Testament (Genesis 22, 1-19) in which, at the orders of Yahweh, Abraham prepares to sacrifice his son Isaac as an offering. Seeing that Abraham foll [+]
This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]
Piombo was the Italian painter most in demand by Spanish clients during the first half of the sixteenth century. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commiss [+]
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This panel was part of The Nativity Altarpiece formerly in the monastery of Guisando (Avila). It depicts the meeting between Mary and her cousin Saint Elizabeth, both of them pregnant, the former with [+]
A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]
This panel depicts the moment prior to Christ’s capture and the start of his Passion. After the last supper with his disciples, Christ departs in the company of Peter, James and John. While he prays i [+]
