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Penitent Magdalen
Oil on canvas. 1579
Carvajal, Luis de
Penitent Magdalen
Oil on canvas. 1579
Carvajal, Luis de

Luis de Carvajal was a Toledan painter who trained in Rome and subsequently at El Escorial, a flourishing centre for Spanish painting in the first half of the seventeenth century. The manner in which [+]

Saint John the Evangelist with Two Ladies and Two Girls / Saint Hadrian
Oil on panel. 1532
Coecke Van Aelst, Pieter
Saint John the Evangelist with Two Ladies and Two Girls / Saint Hadrian
Oil on panel. 1532
Coecke Van Aelst, Pieter

The Evangelist, identified by the chalice he holds in his hand, protects four female donors dressed in plain devotional habits. In the background, Coecke provides a vision of Hell that reflects the st [+]

Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)
Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)

This work´s existence and interest were noticed by Valencian specialist and director of that city´s Museum of Fine Arts, Fernando Benito Domenech. That museum´s Juan de Juanes exhibition in 2000 inclu [+]

Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio
Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio

Eugenio was the son of Tuscan painter Patricio Cajés, who came to Spain to work for Philip II at the monastery of El Escorial. His mother, Casilda de la Fuente, was Spanish. He began studying p [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Oil on canvas. 1589
Prado, Blas de
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Oil on canvas. 1589
Prado, Blas de

A high surface acts as a sort of altar bearing an image of the Virgin and Child with Saint Joseph behind them. Saint John the Evangelist and Saint Ildephonsus stand at a lower level in front, flanking [+]

Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de
Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de

The present Adoration of the Shepherds has been identified with the main part of an altarpiece made for Valencian silk maker Jacobo Perpinya. That altarpiece is topped by a representation of the Incar [+]

The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan
The Descent from the Cross
Oil on panel. Ca. 1545
Correa de Vivar, Juan

This New Testament scene depicts the Descent from the Cross of Christ´s body (Matthew 28, 57-61; Mark 15, 42-47; Luke 23, 50-55; John 19, 38-42). Joseph of Arimathea, Nicodemus and Saint John the Evan [+]

The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter
The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter

Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre. Their content, as well as the painter’s Flemish training, explain his manner of empha [+]

The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan
The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan

Christ returned to life, triumphant alongside the sarcophagus that held his body for three days after his death on Golgotha, was a frequent subject in Correa´s work. The retable for the convent of the [+]

The Agony in the Garden
Oil on canvas. Ca. 1590
Carracci, Ludovico
The Agony in the Garden
Oil on canvas. Ca. 1590
Carracci, Ludovico

The Apostles sleep in the foreground, indifferent to the suffering of Christ who is attended by angels. One holds a chalice, prefiguring the Passion. The artist looked to Correggio (c. 1489-1534) in t [+]

Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni
Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni

A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]

The Fable of Leda
Oil on canvas. 1604
Cajés, Eugenio (Copy After Correggio (Antonio Allegri))
The Fable of Leda
Oil on canvas. 1604
Cajés, Eugenio (Copy After Correggio (Antonio Allegri))

This companion to The Rape of Ganymede (P119) is Eugenio Cajés’s copy of one of Antonio Corregio’s most famous and important paintings, which was in Spain’s Royal Collections. It presents an er [+]

Saint Dominic of Guzmán
Oil on panel. Second third of the XVI century
Correa de Vivar, Juan
Saint Dominic of Guzmán
Oil on panel. Second third of the XVI century
Correa de Vivar, Juan

[+]

Religion assisted by Spain
Oil on canvas. 1572 - 1575
Titian (Tiziano Vecellio)
Religion assisted by Spain
Oil on canvas. 1572 - 1575
Titian (Tiziano Vecellio)

Religion succoured by Spain (c.1572-75), belongs to the last group of paintings that Titian sent to Philip II in 1576, one year before the artist’s death. As such, it is almost seven decades older tha [+]

The Painter Francesco Albani
Oil on canvas. 1635
Sacchi, Andrea
The Painter Francesco Albani
Oil on canvas. 1635
Sacchi, Andrea

Between 1635 and 1636 Sacchi left Bologna in order to study the work of Correggio (c. 1489-1534) and the Venetian painters. Before leaving he painted a portrait of his teacher, Albani (1578-1660), age [+]

Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)
Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)

Allende-Salazar y Sánchez Cantón adjudicaron la paternidad de esta obra al pintor flamenco Lucas de Heere (Gante, 1534-1584). Para su identificación tan sólo contaron con el apoyo del estilo, la edad [+]

The Youthful Saint John the Baptist in the Desert
Oil on panel. 1753 - 1754
Mengs, Anton Raphael
The Youthful Saint John the Baptist in the Desert
Oil on panel. 1753 - 1754
Mengs, Anton Raphael

Painted with remarkable delicacy, probably from life, in this panel Mengs captures the artless fascination with which the saint presents to the world the message of the Redeemer’s arrival, inscribed o [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

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