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The Annunciation
Oil on panel. 1501 - 1535
Picardo, León
The Annunciation
Oil on panel. 1501 - 1535
Picardo, León

[+]

The Adoration of the Magi
Oil on panel. Ca. 1530
Coecke Van Aelst, Pieter
The Adoration of the Magi
Oil on panel. Ca. 1530
Coecke Van Aelst, Pieter

Van Aelst maintains the traditional triptych structure but updates it by representing a single scene, thus achieving the compositional unity promoted by Italian Renaissance art. The iconography and co [+]

Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on canvas. Ca. 1516
Piombo, Sebastiano del

Jerónimo Vich y Valterra (1459-1535) was Spain’s ambassador to Rome between 1506 and 1521, under the reigns of Ferdinand the Catholic and Charles V. Vich commissioned Sebastiano del Piombo to p [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

The Viol Player
Oil on panel. Ca. 1540
Anonymous
The Viol Player
Oil on panel. Ca. 1540
Anonymous

In this half-length portrait, the young man wears a red cap and holds a musical instrument that combine features of both the vihuela and the violin. While only partially visible, its fretted neck sugg [+]

Christ the Saviour
Oil on panel. Ca. 1530
Cleve, Joos Van (Also Known As Joos Van Der Beke) (Attributed To)
Christ the Saviour
Oil on panel. Ca. 1530
Cleve, Joos Van (Also Known As Joos Van Der Beke) (Attributed To)

Christ is depicted here in a frontal pose, as “Salvator Mundi”; his hand is raised in blessing, and he holds an orb. Although thought to be from the workshop of Van Cleve, this panel differs from the [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola
Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola

Educated as a young man in France and Florence, in 1527 Pier Maria Rossi (1504-1547), Seventh Count of San Secondo, was in the service of Clement VII but that same year entered the employment of Charl [+]

Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del

Piombo was the Italian painter most in demand by Spanish clients during the first half of the sixteenth century. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commiss [+]

The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of The Nativity Altarpiece formerly in the monastery of Guisando (Avila). It depicts the meeting between Mary and her cousin Saint Elizabeth, both of them pregnant, the former with [+]

The Martyrdom of Saint Agnes
Oil on panel. 1540 - 1545
Macip, Vicente
The Martyrdom of Saint Agnes
Oil on panel. 1540 - 1545
Macip, Vicente

Masip depicts this fourth-century Roman saint´s second martyrdom, when, after having been condemned to be burned at the stake, the flames miraculously failed to touch her body and she was finall [+]

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almo [+]

The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de
The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de

The Birth of the Virgin at the Museo del Prado, the only painting on this subject by the hand of Luis de Morales and a work that remained unpublished until 2003, and the two pieces at the Museum Schlo [+]

The Agony in the Garden
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Agony in the Garden
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel depicts the moment prior to Christ’s capture and the start of his Passion. After the last supper with his disciples, Christ departs in the company of Peter, James and John. While he prays i [+]

Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de
Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de

The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]

Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of a door of The Nativity Altarpiece from the monastery of Guisando (Avila). It dates from Correa’s early period and reveals the influence of his northern European master, Juan de [+]

Rest on the Flight into Egypt
Oil on panel. Ca. 1540
Massys, Cornelys
Rest on the Flight into Egypt
Oil on panel. Ca. 1540
Massys, Cornelys

Before being attributed to Massys, this panel was thought to be by Patinir or Henri met de Bles, because of the “cosmic” panoramic landscape, a bird’s eye view with a very high horizon. Unlike in thei [+]

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