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Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

Christ on the Route to Calvary
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip); Macip, Vicente
Christ on the Route to Calvary
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip); Macip, Vicente

This panel was part of the Saint Eligius Altarpiece located in the chapel of the silversmiths’ guild in the church of Santa Catalina, Valencia. The altarpiece was commissioned from Juan de Juanes, who [+]

Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)
Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)

This work´s existence and interest were noticed by Valencian specialist and director of that city´s Museum of Fine Arts, Fernando Benito Domenech. That museum´s Juan de Juanes exhibition in 2000 inclu [+]

The Virgin with the Child, Saint John and Three Angels
Oil on panel. 1536
Cranach The Elder, Lucas
The Virgin with the Child, Saint John and Three Angels
Oil on panel. 1536
Cranach The Elder, Lucas

One of Cranach´s customary compositions with the Virgin Mary holding the Christ Child on her lap. Jesus takes some grapes from the hands of young Saint John while three angels hold a finely wrinkled r [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del
Jesus carrying the Cross
Oil on slate. 1532 - 1535
Piombo, Sebastiano del

Piombo was the Italian painter most in demand by Spanish clients during the first half of the sixteenth century. Fernando de Silva, Count of Cifuentes and ambassador to Rome from 1533 to 1536, commiss [+]

The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of The Nativity Altarpiece formerly in the monastery of Guisando (Avila). It depicts the meeting between Mary and her cousin Saint Elizabeth, both of them pregnant, the former with [+]

Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni
Bird Seller
Oil on canvas. 1615 - 1620
Pensionante de Saraceni

A bird seller is tricked by a young man who shows him some coins with the right hand while robbing a rooster with the left. While the nationality of this artist is unknown, he seems to have learned hi [+]

Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del
Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del

Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]

The Agony in the Garden
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Agony in the Garden
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel depicts the moment prior to Christ’s capture and the start of his Passion. After the last supper with his disciples, Christ departs in the company of Peter, James and John. While he prays i [+]

Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of a door of The Nativity Altarpiece from the monastery of Guisando (Avila). It dates from Correa’s early period and reveals the influence of his northern European master, Juan de [+]

Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)

The portraits that Titian painted of Isabella (1503-1539), daughter of King Manuel of Portugal and wife of Charles V from 1526, constitute one of the most moving episodes within Renaissance art. When [+]

The Nativity
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Nativity
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel is part of the altarpiece or altar of repose from the Guisando Nativity (P00683-P00690), a common structure in numerous Spanish monastic cloisters. This one comes from the Hieronymite monas [+]

Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio
Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio

This is a preparatory drawing for Vasari´s fresco of St. Luke Painting the Virgin in the Cappella di San Luca in S. Annunziata, Florence. In 1560 the chapel, formerly the Cappella Benizzi, was granted [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)
Study of a man's right shoulder, breast and upper arm
Pencil on yellow paper. 1536 - 1541
Michelangelo (Michelangelo Buonarroti)

This is a study for one of the demons in the group at the lower right of the Last Judgement, which he painted between 1536 and 1541 on the altar wall of the Sistine Chapel in the Vatican. In the fresc [+]

Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to Luca Cambiaso (1527-1585). In a note on the modern museum matte, Pouncey gave the drawing to the late sixteenth-century Roman painter Cesare Nebbia (ca. 1536-1614). In anot [+]

Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Men, Women and Children Escaping from a Flood, from The Deluge in the Vatican Logge
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This weak copy is after one of the biblical scenes in the Vatican Logge. Raphael, assited by his pupils Giulio Romano (c. 1499-1546), Giovanni Francesco Penni (1496-c. 1536), Perino del Vaga (1501-154 [+]

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