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The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))
The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))

En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover [+]

Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous
Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

Sailing Boat and Fishing Boat by the Coast
Oil on panel. XVII century
Anonymous
Sailing Boat and Fishing Boat by the Coast
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum`s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous
The penitent Saint Jerome
Oil on panel. 1525 - 1530
Anonymous

Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or b [+]

The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))
The Martyrdom of Saints Placidus, Flavia, Eutychius and Victorinus
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))

Pareja de El Descendimiento o La Quinta Angustia (P117), ambos son copias en pequeño formato de dos óleos sobre lienzo pintados por Correggio entre 1520 y 1524 para la iglesia de San Giovanni Evangeli [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))
Group of Elders from St. Paul Preaching at Athens / Caryatid and Studies of a Bull and a Lion
Pencil, Grey-brown ink on yellow paper. Early XIX century
Anonymous (Copy Raphael (Raffaello Sanzio))

Although the line work of the drawing has the appearance of being sixteenth century, it is indeed hard to see lay-lines in the paper. since there are no old inscriptions on the drawing itself, nor any [+]

Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous
Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous

Although clearly not from the hand of Nicolò dell´Abate (1509 or 1512-1571), the composition reflected by this drawing seems Emilian, and there are slight echoes of the style of the Parmese Jac [+]

Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)
Two Winged Putti Standing to Either Side of a Trophy of Arms
Pencil, Grey-brown ink, Wash on tinted paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)

The drawing carries old attributions on the reverse of the mount to Nicolo dell´Abate and Pordenone. On the modern museum matte, A. Gere has noted it may be from the School of Perino del Vaga, p [+]

Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous

The former attribution to Parmigianino (1503-1540) is untenable. The style suggest knowledge of the work of both Pellegrino Tibaldi (1527-1596) and Samacchini (1532-1577). [+]

Bearded Man Wearing a Long Cloak
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Salviati, Francesco (Francesco De' Rossi))
Bearded Man Wearing a Long Cloak
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Salviati, Francesco (Francesco De' Rossi))

There are old attributions on the reverse of the mount to Parmigianino (1503-1540) and Nicolò dell´Abate (1509/12-1571). However, the elongated figure and the flowing pen work point in the dire [+]

Two angels
Red chalk on yellow paper. Ca. 1600
Anonymous
Two angels
Red chalk on yellow paper. Ca. 1600
Anonymous

Although traditionally attributed to Parmigianino (1503-1540), the style seems to suggest a later period, around 1600. The draftsman appears to have been acquainted with the work of Bartolomeo Cesi (1 [+]

Study for a Panel of Ornament
Pencil, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)
Study for a Panel of Ornament
Pencil, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)

On the back of the old mount is an old attribution in an Italian hand to Nicolo dell´Abate. Another, later attribution to Giovanni da Udine is inscribed in French on the front of the mount, lowe [+]

Saint or prophet holding a book
Pencil on paper. Mid-XVIcentury
Anonymous
Saint or prophet holding a book
Pencil on paper. Mid-XVIcentury
Anonymous

The drawing was formerly placed as by a follower of Andrea del Sarto (1486-1530). [+]

Fame
Pencil, Grey-brown ink, Wash on yellow paper. Late XVI century
Anonymous
Fame
Pencil, Grey-brown ink, Wash on yellow paper. Late XVI century
Anonymous

The style of this good drawing suggest a late sixteenth-century Bolognese hand, between Samacchini (1532-1577) and Calvaert (c. 1540-1619). [+]

Studies of Figures
Pencil, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)
Studies of Figures
Pencil, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous (Follower Of Perino del Vaga)

Although traditionally attributed to Nicolò dell´Abate (1509/12-1571), Diane de Grazia has suggested the drawing could be by Perino del Vaga (note on the mount, dated 1989). There are her [+]

Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous (Circle Of Paggi, Giovanni Battista)
Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous (Circle Of Paggi, Giovanni Battista)

Traditionally attributed to Federico Zuccaro (1540/1-1609). In a pencil note on the modern museum matte, J. A. Gere dismissed this possibility. In Turner´s opinion, there is something in the han [+]

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