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The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]

The Viol Player
Oil on panel. Ca. 1540
Anonymous
The Viol Player
Oil on panel. Ca. 1540
Anonymous

In this half-length portrait, the young man wears a red cap and holds a musical instrument that combine features of both the vihuela and the violin. While only partially visible, its fretted neck sugg [+]

Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)
Penitent Magdalen
Oil on canvas. 1583
Veronese, Paolo (Paolo Cagliari)

Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]

Charity
Oil on panel. 1550 - 1560
Portelli, Carlo
Charity
Oil on panel. 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of a door of The Nativity Altarpiece from the monastery of Guisando (Avila). It dates from Correa’s early period and reveals the influence of his northern European master, Juan de [+]

Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
Christ the Saviour with the Eucharist
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host, flanked by two Old Testament figures: King Melchizedek, bearing bread an [+]

The Lamentation over the Dead Christ
Oil on panel. Ca. 1550
Correa de Vivar, Juan
The Lamentation over the Dead Christ
Oil on panel. Ca. 1550
Correa de Vivar, Juan

This panel depicts the moment when the dead Christ’s body has been lowered from the cross and is attended at its foot by the Virgin, Saint John and Mary Magdalene. In the middle-ground are Joseph of A [+]

Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Empress Isabella of Portugal
Oil on canvas. 1548
Titian (Tiziano Vecellio)

The portraits that Titian painted of Isabella (1503-1539), daughter of King Manuel of Portugal and wife of Charles V from 1526, constitute one of the most moving episodes within Renaissance art. When [+]

Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)
Emperor Charles V at Mühlberg
Oil on canvas. 1548
Titian (Tiziano Vecellio)

This portrait commemorates Charles V’s victory over the Schmalkaldic League at Mühlberg on 24 April 1547. The Emperor is equipped in the manner of the light cavalry with a half pike and wheel-loc [+]

Prince Don Carlos
Oil on canvas. 1555 - 1559
Sánchez Coello, Alonso
Prince Don Carlos
Oil on canvas. 1555 - 1559
Sánchez Coello, Alonso

This portrait depicts Prince Carlos (1545-1568), heir to the Spanish throne and son of Felipe II (1556-1598), by his first wife and cousin, Manuela de Portugal (1528-1545). This work idealizes the Pri [+]

The Nativity
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Nativity
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel is part of the altarpiece or altar of repose from the Guisando Nativity (P00683-P00690), a common structure in numerous Spanish monastic cloisters. This one comes from the Hieronymite monas [+]

Plate with Plums and Morello Cherries
Oil on canvas. Ca. 1631
Hamen y León, Juan Van Der
Plate with Plums and Morello Cherries
Oil on canvas. Ca. 1631
Hamen y León, Juan Van Der

Juan van der Hamen y León´s output alternates between compositionally complex still lifes and works that are smaller in size and constructed more simply, such as this canvas. It depicts a pewte [+]

Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

The Virgin Appears to Saint Bernard
Oil on panel. 1540 - 1545
Correa de Vivar, Juan
The Virgin Appears to Saint Bernard
Oil on panel. 1540 - 1545
Correa de Vivar, Juan

This scene from the life of Saint Bernard depicts the Virgin Mary’s apparition to the Cistercian monk and the miraculous milk he received from her breasts as thanks for his devotion. He is accompanied [+]

Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)
Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)

This work´s existence and interest were noticed by Valencian specialist and director of that city´s Museum of Fine Arts, Fernando Benito Domenech. That museum´s Juan de Juanes exhibition in 2000 inclu [+]

The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)
The Allocution of Marquis del Vasto to his Troops
Oil on canvas. 1540 - 1541
Titian (Tiziano Vecellio)

Alfonso d´Avalos, first Marchese del Vasto, was born in Ischia on 25 May 1502 to a noble Neapolitan family of Castilian origins. He fought in Pavia (1525) under the orders of his uncle Fernando d´Aval [+]

Venus with an Organist and a Dog
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Venus with an Organist and a Dog
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

In contrast to the paintings created for the Camerino d´Alabastro and the poesie made for Philip II, the canvases on the subject of Venus do not form a homogenous group as they were not painted for on [+]

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