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Juan Francisco de Pimentel, Count of Benavente
Oil on canvas. Ca. 1648
Velázquez, Diego Rodríguez de Silva y (Attributed To)
Juan Francisco de Pimentel, Count of Benavente
Oil on canvas. Ca. 1648
Velázquez, Diego Rodríguez de Silva y (Attributed To)

Juan Francisco Alfonso de Pimentel Ponce de León, 10th Count and 7th Duke of Benavente (1584-1652), is portrayed more than half length with a whole host of attributes that confirm is supreme mi [+]

Triptych of Saints John the Baptist and John the Evangelist
Oil on panel. 1549
Pourbus The Elder, Pierre (Pieter Jansz.)
Triptych of Saints John the Baptist and John the Evangelist
Oil on panel. 1549
Pourbus The Elder, Pierre (Pieter Jansz.)

The Baptism of Christ, in the central panel, contains echoes of Gerard David, while the two side panels -The Beheading of Saint John the Baptist and Saint John the Evangelist on the Island of Patmos- [+]

The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

The Washing of the Feet
Oil on canvas. 1548 - 1549
Tintoretto, Jacopo Robusti
The Washing of the Feet
Oil on canvas. 1548 - 1549
Tintoretto, Jacopo Robusti

This scene from the New Testament (John 13, 1-20) shows the moment just before the Last Supper, when Jesus washed Saint Peter´s feet as an example of humility and service to others. The displacement o [+]

The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der
The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der

The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)
Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)

The literary source for the Furies is Ovid´s Metamorphoses (IV, 447-464) and Virgil´s Aeneid (VI, 457-8), which recounts the eternal sufferings in Hades of Tityus, whose liver was devoured by a vultur [+]

Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)
Philip II
Oil on canvas. 1551
Titian (Tiziano Vecellio)

Philip II was Titian’s most important patron, and the pair’s artistic relationship was one of the most fecund of the Renaissance. They met twice while Philip was still a prince, in Milan (December 154 [+]

Thou Who Canst Not
Red chalk, Red wash, Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Thou Who Canst Not
Red chalk, Red wash, Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 42. The abuse of ordinary people by those in power and the ignorance that perpetuates this system of exploitation are recurring themes in the Caprichos. Here, asses re [+]

Emperor Carlos V
Bronze. 1553 - 1555
Leoni, Leone; Leoni, Pompeo
Emperor Carlos V
Bronze. 1553 - 1555
Leoni, Leone; Leoni, Pompeo

An image of the Emperor (1500-1558) with the armor he wore during the Battle of Mühlberg and the customary attributes of his power: the Golden Fleece and the Sash. The profuse carving on the armo [+]

Felipe II
Bronze. 1551
Leoni, Leone; Leoni, Pompeo
Felipe II
Bronze. 1551
Leoni, Leone; Leoni, Pompeo

The son of Emperor Carlos V and Empress Isabel of Portugal, Felipe II was born in Valladolid in 1527. In October, 1555 he was named ruler of the Low Countries and in January, 1556 he became King of Sp [+]

The Empress Isabel
Carrara marble. 1550 - 1555
Leoni, Leone; Leoni, Pompeo
The Empress Isabel
Carrara marble. 1550 - 1555
Leoni, Leone; Leoni, Pompeo

The bust of Isabel of Portugal (1503-1539) is represented in profile in a profusely sculpted frame, just like the relief carving of Emperor Carlos V (E00291) that is paired with this one. Beginning wi [+]

Carlos V
Carrara marble. Ca. 1553
Leoni, Leone; Leoni, Pompeo
Carlos V
Carrara marble. Ca. 1553
Leoni, Leone; Leoni, Pompeo

This larger than life-size statue represents the Emperor (1500-1558) on foot, with half-armor and a baton. The Golden Fleece hanging on his chest, the sword in his right hand and the robes he gathers [+]

Emperor Carlos V
Carrara marble. 1550 - 1555
Leoni, Leone
Emperor Carlos V
Carrara marble. 1550 - 1555
Leoni, Leone

The bust of Carlos V (1500-1558) appears in profile in low relief, set in a richly sculpted frame. He wears the Golden Fleece and Sash. His armor represents Christ with the Cross, alluding to the cons [+]

Maria of Hungary
Bronze. 1553 - 1564
Leoni, Leone; Leoni, Pompeo
Maria of Hungary
Bronze. 1553 - 1564
Leoni, Leone; Leoni, Pompeo

Together with her brother Charles V, Mary of Hungary (1505–1558) was Leone Leoni’s most important patron at the imperial court. Leoni and Mary, governor of the Low Countries, met on three occasions: i [+]

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