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Catherine of Austria, Wife of King John III of Portugal
Oil on panel. 1552 - 1553
Mor, Anthonis
Catherine of Austria, Wife of King John III of Portugal
Oil on panel. 1552 - 1553
Mor, Anthonis

Born in 1507 after the death of her father, Felipe el Hermoso, the younger sister of Carlos V married Juan III of Portugal in 1525 and died in 1578. Gifted with an energetic character, she took on the [+]

John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)
John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)

John Frederick I of Saxony (Torgau, 30 June 1503–Jena, 3 March 1554), Duke of Saxony-Wittenberg from 1532, was the principal defender of Luther, a fact that brought him into conflict with Charles V. I [+]

Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis
Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis

The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]

Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan
Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan

Juana de Austria, hija de Carlos V, se casó con el príncipe Juan de Portugal por poderes el 11 de enero de 1552. Este retrato es una de las distintas versiones de la misma composición: se cree que tod [+]

Esther and Ahasuerus
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti
Esther and Ahasuerus
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti

This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396) in a group linked by the same color scheme, a general accentuation of surface drawing and a rhythm of curved form [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)
Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)

The literary source for the Furies is Ovid´s Metamorphoses (IV, 447-464) and Virgil´s Aeneid (VI, 457-8), which recounts the eternal sufferings in Hades of Tityus, whose liver was devoured by a vultur [+]

Judith and Holofernes
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti
Judith and Holofernes
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti

This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396) in a group linked by the same color scheme, a general accentuation of surface drawing and a rhythm of curved form [+]

Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis
Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis

Joanna of Austria (1535-73) was the daughter of Emperor Charles V, and sister of King Philip II of Spain. In 1552, she married her first cousin, the Portuguese Prince John Manuel (Joao Manuel). The pr [+]

Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Saint Margaret
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

Philip II owned two pictures of this saint painted by Titian. The first can be identified with the portrait of Saint Margaret mentioned by the painter in a letter sent to the then Prince Philip on II [+]

King Sebastian of Portugal
Oil on canvas. 1572
Morales, Cristóbal de
King Sebastian of Portugal
Oil on canvas. 1572
Morales, Cristóbal de

The adolescent King Sebastian is depicted with all of the customary conventions associated with formal portraits of the Habsburgs. These portraits´ models of authority and power, which perfectly embod [+]

Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

The unknown subject of this portrait has been identified, inconclusively, as either Gianello della Torre, a clockmaker at the Spanish court, or some member of the Cuccini family. Whether or not the fi [+]

Lady with the Jewel
Oil on panel. Ca. 1552
Mor, Anthonis
Lady with the Jewel
Oil on panel. Ca. 1552
Mor, Anthonis

In the eighteenth century this unidentified lady was thought to be the Empress Isabel, wife of Carlos V. She was later groundlessly associated with Maria of Portugal, whom Mor portrait in 1552 while s [+]

Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto
Women Gladiators
Oil on canvas. 1636
Ribera, Jusepe de, lo Spagnoletto

This painting shows the finale of a brutal encounter between two female fighters. The woman on the right has attained the upper hand over her opponent, who has fallen injured to the ground, and is abo [+]

Christ on the Way to Calvary
Oil on oak panel. Ca. 1547
Kempeneer, Pieter
Christ on the Way to Calvary
Oil on oak panel. Ca. 1547
Kempeneer, Pieter

Until this donation by Placido Arango in 2015, the Museo del Prado had no paintings by Pieter van Kempeneer, an artist born in Brussels and first documented in Seville in 1537 after a period spent in [+]

Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti
Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti

This canvas is part of a group of six paintings: Susannah and the Elders (P386), Esther and Ahasuerus (P388) Judith and Holofernes (P391), The Visit of the Queen of Sheba to Solomon (P394), Joseph and [+]

The Arrest of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on brown paper. First half of the XVI century
Pupini, Biagio (Attributed To)
The Arrest of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on brown paper. First half of the XVI century
Pupini, Biagio (Attributed To)

The style is unquestionably sixteenth-century Emilian and close to that of Pupini, who was a close follower of Polidoro da Caravaggio. Some echoes of the work of Amico Aspertini (1474/75-1552), anothe [+]

Medal of Charles V / Personification of the River Tiber (Tyberis)
Gilt-bronze. Ca. 1547
Leoni, Leone (Attributed To)
Medal of Charles V / Personification of the River Tiber (Tyberis)
Gilt-bronze. Ca. 1547
Leoni, Leone (Attributed To)

En el anverso presenta un retrato de Carlos I de España y V de Alemania, representado de busto, de perfil, con el rostro barbado, vestido a la romana, coronado de laurel y con la insignia del toisón a [+]

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