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Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul
Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul

On a number of occasions, Peter Paul Rubens partially overpainted finished pictures. He did this to paintings by his own hand, such as Nymphs and Satyrs (P1666), which he retouched and enlarged twenty [+]

The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)
The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous
Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous

This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is match [+]

The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro
The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro

Christ´s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the Evangelist. Among the people at his feet are the Virgin Mary, the mother of Joseph —also called Mary— as [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)
John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)

John Frederick I of Saxony (Torgau, 30 June 1503–Jena, 3 March 1554), Duke of Saxony-Wittenberg from 1532, was the principal defender of Luther, a fact that brought him into conflict with Charles V. I [+]

The Glory
Oil on canvas. 1551 - 1554
Titian (Tiziano Vecellio)
The Glory
Oil on canvas. 1551 - 1554
Titian (Tiziano Vecellio)

Charles V commissioned The Glory from Titian during their meeting in Augsburg in 1550-51. The painting was completed in October 1554 and was sent to Brussels. The unusual composition, which must corre [+]

Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)
Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)
Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)

Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]

Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis
Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis

The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]

Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan
Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan

Juana de Austria, hija de Carlos V, se casó con el príncipe Juan de Portugal por poderes el 11 de enero de 1552. Este retrato es una de las distintas versiones de la misma composición: se cree que tod [+]

Lady with a Fan
Oil on panel. 1570 - 1573
Sánchez Coello, Alonso
Lady with a Fan
Oil on panel. 1570 - 1573
Sánchez Coello, Alonso

In this half-length portrait, the lady is wearing a dark brown velvet overdress luxuriously ornamented with gold chain-stitched embroidery, slit sleeves, and a high collar open in front in the Flemish [+]

Christ Justifying his Passion
Oil on panel. Ca. 1565
Morales, Luis de
Christ Justifying his Passion
Oil on panel. Ca. 1565
Morales, Luis de

This work is an example of an exceptional iconography within the subject matter habitually dedicated to the Passion by the painter, and even within that of the European art of his time as a whole. Alt [+]

Mary Tudor, Queen of England, Second Wife of Philip II
Oil on panel. 1554
Mor, Anthonis
Mary Tudor, Queen of England, Second Wife of Philip II
Oil on panel. 1554
Mor, Anthonis

In 1604 in his biography of Mor, Karel van Mander referred to the artist’s trip to London in 1554, where he was sent on the orders of Charles V to paint Mary Tudor (1516–1558), and to the success of t [+]

Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)
Sisyphus
Oil on canvas. 1548 - 1549
Titian (Tiziano Vecellio)

The literary source for the Furies is Ovid´s Metamorphoses (IV, 447-464) and Virgil´s Aeneid (VI, 457-8), which recounts the eternal sufferings in Hades of Tityus, whose liver was devoured by a vultur [+]

Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)
Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554), versions of other previous works, but endowed with all the prestige of the co [+]

Don Sebastian, King of Portugal
Oil on canvas. Ca. 1580
Sánchez Coello, Alonso (After Soleri, Giorgio)
Don Sebastian, King of Portugal
Oil on canvas. Ca. 1580
Sánchez Coello, Alonso (After Soleri, Giorgio)

This three-quarters portrait is especially direct, thanks to the absence of any background elements other than the model´s powerful shadow. It presents don Sebastian (1554-1580) in the final years of [+]

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