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Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous
Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous

This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is matched by another at his waist that bears a sword with a gilded hilt. It has been suggested that this panel may represent François, Duke of Alençon (b. 1554, d. 1584), son of Henri II of Fra

Portrait of a Lady, Margarita de Cardona?
Oil on canvas. 1590 - 1600
Anonymous
Portrait of a Lady, Margarita de Cardona?
Oil on canvas. 1590 - 1600
Anonymous

La retratada, con varias sortijas y un collar de perlas, sujeta en la mano izquierda un monóculo o anteojo monocular provisto de manilla. Este ejemplar es de mayor nobleza de lo habitual, por la lujosa montura que lo engarza para sostenerlo en la mano. Estos instrumentos eran usados para corregir defectos de visión, especialmente presbicia, y eran de uso mayoritariamente femenino. La utilización d

Pietro de' Medici
Oil on canvas. XVI century
Anonymous
Pietro de' Medici
Oil on canvas. XVI century
Anonymous

La obra representa a Pedro de Medici (1554-1604), hijo de Cosme I que mantuvo estrechos vínculos con España, estando presente en Madrid durante los reinados de Felipe II y Felipe III. La identificación del personaje parece confirmarse por el enorme parecido del retratado en la obra del Museo del Prado con el que de don Pedro conserva la Galería de los Uffizi, debido a Santi de Tito y fechado entre

Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous
Angel holding back a drapery
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous

In spite of the pentiment in the area of the angel´s upper right arm, the handling of this drawing is poor and is evidently by a minor artist, possibly copying a figure from the work of a master.

Adoration of the Shepherds
Pencil, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Adoration of the Shepherds
Pencil, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Connected by the Suidas with the composition of Cambiaso´s upright painting of the subject in the Cappella Lercari in the Duomo of S. Lorenzo, Genoa. The style is, however, a little reminiscent of that of Paggi (1554-1627)

Small rock crystal ewer with children and snake-shaped handle
Gold, Silver gilt, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous
Small rock crystal ewer with children and snake-shaped handle
Gold, Silver gilt, Ruby, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous

The pair of O76, this vessel is composed of three pieces of rock crystal and two partly enamelled silver gilt mounts, both similar to O74. The globular body is made up of two pieces assembled with a moulding. The upper part is smooth while the lower one, with a bas-relief decoration of helicoidal gadroons and darts, is joined to the round foot. The piece is completed by two upper mounts forming a

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