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Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

Bocce ball game
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón
Bocce ball game
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón

El juego representado en este cartón para tapiz corresponde a la descripción del juego de bochas en el Diccionario de Autoridades de 1726: “Juego que se juega entre dos o más personas con unas bolas m [+]

The Tax Collector and his Wife (so-called Money Changer and his Wife)
Oil on panel. 1539
Reymerswale, Marinus Van
The Tax Collector and his Wife (so-called Money Changer and his Wife)
Oil on panel. 1539
Reymerswale, Marinus Van

The Prado Tax Collector and his Wife (so-called Money Changer and his Wife) dated 1539 and gifted to the museum in 1934 is the second version of this subject recorded in Spain. Thanks to the recent re [+]

Charity
Oil on panel. 1550 - 1560
Portelli, Carlo
Charity
Oil on panel. 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan
Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan

Joanna, the daughter of Charles V and Isabella of Portugal was born in 1535, and later married her cousin Joao Manuel, prince of Brazil. On the death of her husband in 1554, and having soon after give [+]

The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de
The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de

This canvas presents one of the most persistent subjects in Pedro Orrente´s substantial output: the Nativity and the Adoration of the shepherds, a popular theme among seventeenth-century Spanish [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de
View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de

Between the vegetation of La Herrería and a sky that silhouettes the mountains, the southern façade of the Royal Seat of San Lorenzo, perhaps the most balanced of the entire edifice, sta [+]

Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)
Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)

Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea [+]

Portrait of Queen Anna of Austria
Oil on canvas. 1573
Anguissola, Sofonisba
Portrait of Queen Anna of Austria
Oil on canvas. 1573
Anguissola, Sofonisba

Though she drew on models characteristic of Spanish court portraiture, the soft modelling, diffuse lighting and subtle brushwork are distinctive features of Sofonisba’s own style, and of the Lombard p [+]

Lady with the Jewel
Oil on panel. Ca. 1552
Mor, Anthonis
Lady with the Jewel
Oil on panel. Ca. 1552
Mor, Anthonis

In the eighteenth century this unidentified lady was thought to be the Empress Isabel, wife of Carlos V. She was later groundlessly associated with Maria of Portugal, whom Mor portrait in 1552 while s [+]

Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico
Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico

A decisive breakthrough in the career of the Tuscan painter Lodovico Cigoli came with his contribution to a series of six paintings required for the new altars for St Peter’s Basilica in Rome. Accordi [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

Two Sibyls (?) and an Angel
Pencil, Grey-brown ink on dark yellow paper. XVI century
Anonymous
Two Sibyls (?) and an Angel
Pencil, Grey-brown ink on dark yellow paper. XVI century
Anonymous

Nos. D01701; D01719; D01917; D01723; D01930; D01931; D01918 appear to represent sibyls, women from ancient times who were endowed with special powers of prophecy. From the Renaissance period and after [+]

Sibyl (?)
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous
Sibyl (?)
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous

Nos. D01701; D01719; D01917; D01723; D01930; D01931; D01918 appear to represent sibyls, women from ancient times who were endowed with special powers of prophecy. From the Renaissance period and after [+]

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