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The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1559
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

Charity
Oil on panel. 1550 - 1560
Portelli, Carlo
Charity
Oil on panel. 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de
The Adoration of the shepherds
Oil on canvas. 1623 - 1625
Orrente, Pedro de

This canvas presents one of the most persistent subjects in Pedro Orrente´s substantial output: the Nativity and the Adoration of the shepherds, a popular theme among seventeenth-century Spanish [+]

Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan
Charles II in armour
Oil on canvas. 1681
Carreño de Miranda, Juan

Charles II was born in 1661, the only son of Philip IV and his second wife (and niece), Mariana of Austria, to survive to adulthood. Charles succeeded his father in 1665 and died without an heir in 17 [+]

The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)
The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)

On 13 July 1558, Philip II asked Titian to make haste with the completion of an Agony in the Garden which the artist had agreed to finish one year earlier, but which was only sent to the monarch in 15 [+]

Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis
Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis

Joanna of Austria (1535-73) was the daughter of Emperor Charles V, and sister of King Philip II of Spain. In 1552, she married her first cousin, the Portuguese Prince John Manuel (Joao Manuel). The pr [+]

Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Salome
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
el Greco (Domenikos Theotokopoulos)
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
el Greco (Domenikos Theotokopoulos)

This night scene is set in a narrow, irregular space -a sort of grotto with a gabled opening in the back, consisting of two semi-circular arches. Mary holds her newborn Son, naked on her lap, while Sa [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)
Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)

This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]

Julián Romero and his Patron Saint
Oil on canvas. 1612 - 1618
el Greco (Domenikos Theotokopoulos) (Follower Of)
Julián Romero and his Patron Saint
Oil on canvas. 1612 - 1618
el Greco (Domenikos Theotokopoulos) (Follower Of)

Dressed in the habit of a Knight of Saint James, the subject of this portrait kneels in prayer. An armored knight standing at his side and looking to the heavens may well be Saint Louis, King of Franc [+]

Bocce ball game
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón
Bocce ball game
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón

El juego representado en este cartón para tapiz corresponde a la descripción del juego de bochas en el Diccionario de Autoridades de 1726: “Juego que se juega entre dos o más personas con unas bolas m [+]

Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan
Joanna of Austria, sister of King Philip II of Spain, Princess of Portugal
Oil on canvas. Early Finales del siglo XVI - XVII century
Pantoja de la Cruz, Juan

Juana de Austria, hija de Carlos V, se casó con el príncipe Juan de Portugal por poderes el 11 de enero de 1552. Este retrato es una de las distintas versiones de la misma composición: se cree que tod [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de
View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de

Between the vegetation of La Herrería and a sky that silhouettes the mountains, the southern façade of the Royal Seat of San Lorenzo, perhaps the most balanced of the entire edifice, sta [+]

Pietro Manna, Physician from Cremona
Oil on canvas. 1557
Anguissola, Lucia
Pietro Manna, Physician from Cremona
Oil on canvas. 1557
Anguissola, Lucia

This portrait signed by Lucia Anguissola is acknowledged as the most important of the few works produced by Sofonisba’s younger sister. In keeping with Lombard painting of the period, she depicts this [+]

Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)
Noli me tangere
Oil on panel transferred to canvas. Ca. 1525
Correggio (Antonio Allegri)

Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea [+]

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