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Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de
Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de

Jesus is shown half-length, crowned with thorns and with a haggard face, parted lips, prominent cheekbones, and moist eyes raised in an attitude of submission to the divine will. His hair, beard, mous [+]

Infernal Landscape
Oil on panel. Ca. 1565
Anonymous
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

Charity
Oil on panel. 1550 - 1560
Portelli, Carlo
Charity
Oil on panel. 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

The Virgin Dolorosa
Oil on panel. 1560 - 1570
Morales, Luis de
The Virgin Dolorosa
Oil on panel. 1560 - 1570
Morales, Luis de

The Virgin Mary, turned slightly to the right, has her hands clasped in an imploring attitude, her gaze absent and her eyes flooded with tears. She wears a bluish-green robe, a violet tunic and a whit [+]

The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de
The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de

These works (P944 and P7948) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de
The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de

These works (P7948 and P944) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)
Philip II
Oil on panel. Mid-XVIcentury
Heere, Lucas de (Attributed To)

Allende-Salazar y Sánchez Cantón adjudicaron la paternidad de esta obra al pintor flamenco Lucas de Heere (Gante, 1534-1584). Para su identificación tan sólo contaron con el apoyo del estilo, la edad [+]

Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

Joseph is a handsome and virtuous slave falsely accused of rape by his master´s wife, whose advances he has rejected. He is imprisoned, but eventually raised to the highest office by Pharaoh (Exodus: [+]

Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe
Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe

Because this work is signed and dated, it reveals the existence of a painter by the name of Felipe Ramírez, although art historians know virtually nothing else about him. This lovely example of [+]

The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

Boy with a Wicker Basket
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón
Boy with a Wicker Basket
Oil on canvas. Ca. 1786
Bayeu y Subías, Ramón

This cartoon for a tapestry to be placed over a door or window shows a street vendor, a subject based on the popular and very widely distributed etchings by the Bolognese artist Annibale Carracci (156 [+]

The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))
The Descent from the Cross
Oil on walnut panel. Mid-XVIcentury
Anonymous (Copy After Correggio (Antonio Allegri))

En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover [+]

Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)
Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)

This work illustrates the final passage of Christ´s childhood (Luke 2, 41-50) when, at the age of 12, he was taken to Jerusalem by his parents to celebrate Passover. Mary and Joseph lost their son, an [+]

Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus
Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus

Two banderoles, one above and the other below the central circle, contain Latin texts from Deuteronomy (32: 28-29 and 20), warning against the wages of sin. The upper banderole, between the tondos of [+]

Brígida del Río, the Bearded Lady of Peñaranda
Oil on canvas. 1590
Sánchez Cotán, Juan
Brígida del Río, the Bearded Lady of Peñaranda
Oil on canvas. 1590
Sánchez Cotán, Juan

Brígida del Río was a well-known character in the late 16th century, as indicated by the descriptions of her in various literary and visual accounts; works that reflect a para-scientific [+]

The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro
The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro

Christ´s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the Evangelist. Among the people at his feet are the Virgin Mary, the mother of Joseph —also called Mary— as [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

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