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The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco
The judgement of Paris
Oil on canvas. 1650 - 1660
Albani, Francesco

Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

Saint Catherine of Alexandria
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio)
Saint Catherine of Alexandria
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio)

Although no entirely autograph painting of this subject survives, Titian painted it on numerous occasions, both as a single figure and within larger compositions. In 1648, for example, Ridolfi mention [+]

Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)
Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)

This work illustrates the final passage of Christ´s childhood (Luke 2, 41-50) when, at the age of 12, he was taken to Jerusalem by his parents to celebrate Passover. Mary and Joseph lost their son, an [+]

Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Tityus
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)
Tityus
Oil on canvas. Ca. 1565
Titian (Tiziano Vecellio)

In his Metamorphoses Ovid recounts the torments of the Giant Tityus, whose punishment for having attempted to rape the goddess Leto was to have two vultures devouring his continually regenerating live [+]

Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca
Vault with the Apotheosis of the Spanish Monarchy
Fresco-secco, Fresco painting on wall covering. Ca. 1697
Giordano, Luca

The vault of the former Hall of Ambassadors at the Buen Retiro Palace, constructed alongside the former Royal Quarters of San Jerónimo at the behest of the Count-Duke of Olivares as a royal res [+]

Jacob's Journey
Oil on canvas. Second half of the XVI century
Bassano, Francesco
Jacob's Journey
Oil on canvas. Second half of the XVI century
Bassano, Francesco

As Arslan points out, this is the best known version of the Partenza per Canaan (Venice, Palazzo Ducale; 150 x 205 cm) which Jacopo Bassano painted for the Venetian patrician Jacopo Contarini, whose d [+]

The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de
The Birth of the Virgin
Oil on panel. 1562 - 1567
Morales, Luis de

The Birth of the Virgin at the Museo del Prado, the only painting on this subject by the hand of Luis de Morales and a work that remained unpublished until 2003, and the two pieces at the Museum Schlo [+]

Christ Justifying his Passion
Oil on panel. Ca. 1565
Morales, Luis de
Christ Justifying his Passion
Oil on panel. Ca. 1565
Morales, Luis de

This work is an example of an exceptional iconography within the subject matter habitually dedicated to the Passion by the painter, and even within that of the European art of his time as a whole. Alt [+]

Christ and the Centurion
Oil on canvas. Ca. 1571
Veronese, Paolo (Paolo Cagliari)
Christ and the Centurion
Oil on canvas. Ca. 1571
Veronese, Paolo (Paolo Cagliari)

With a halo of sainthood over his head, Jesus extends his arm to the centurion who, having converted to the Christian faith, kneels at his feet, as told in the New Testament (Matthew 8, 5-13). The sce [+]

The Agony in the Garden
Oil on panel. Ca. 1545
Morales, Luis de
The Agony in the Garden
Oil on panel. Ca. 1545
Morales, Luis de

Christ’s prayer on the Mount of Olives is the gospel episode that precedes his arrest and the beginning of his Passion and death on the cross. After the last supper with his disciples, Jesus withdraws [+]

Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe
Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe

This is the only work in the Prado by Diriksen, a royal archer and a painter with a small oeuvre. His style, based on soft, fluid brushstrokes and contrasting illumination, suggests Eugenio Cajé [+]

Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
Joseph and the Wife of Putiphar
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

Joseph is a handsome and virtuous slave falsely accused of rape by his master´s wife, whose advances he has rejected. He is imprisoned, but eventually raised to the highest office by Pharaoh (Exodus: [+]

Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de
Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de

Jesus is shown half-length, crowned with thorns and with a haggard face, parted lips, prominent cheekbones, and moist eyes raised in an attitude of submission to the divine will. His hair, beard, mous [+]

Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe
Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe

Because this work is signed and dated, it reveals the existence of a painter by the name of Felipe Ramírez, although art historians know virtually nothing else about him. This lovely example of [+]

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