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Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)
Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)

This work illustrates the final passage of Christ´s childhood (Luke 2, 41-50) when, at the age of 12, he was taken to Jerusalem by his parents to celebrate Passover. Mary and Joseph lost their son, and later found him in the Temple, arguing with the doctors. Christ´s theological superiority is emphasized by his placement towards the top of the composition´s axis. The doctors look on as he enumerat

Christ and the Centurion
Oil on canvas. Ca. 1571
Veronese, Paolo (Paolo Cagliari)
Christ and the Centurion
Oil on canvas. Ca. 1571
Veronese, Paolo (Paolo Cagliari)

With a halo of sainthood over his head, Jesus extends his arm to the centurion who, having converted to the Christian faith, kneels at his feet, as told in the New Testament (Matthew 8, 5-13). The scene takes place in front of an architectural backdrop inspired by the work of the architect Andrea Palladio (1508-1580). The bright colors worn by the figures are brought out by the white of the strong

The Wedding at Cana
Oil on canvas. Ca. 1562
Veronese, Paolo (Paolo Cagliari) (Workshop Of)
The Wedding at Cana
Oil on canvas. Ca. 1562
Veronese, Paolo (Paolo Cagliari) (Workshop Of)

The illustration of this Gospel passage (John 2:1–12) belongs to the sub-genre of ‘suppers’. These paintings that recreated biblical episodes around a table (Cana, Emmaus, etc.) were very popular in Venice between 1560 and 1575. Veronese’s contribution was to represent the suppers as grandiose theatrical shows set in vast architectural settings. These shows portrayed a multitude of figures in cont

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