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The Crucifixion
Oil on panel. Ca. 1566
Morales, Luis de
The Crucifixion
Oil on panel. Ca. 1566
Morales, Luis de

The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]

Saint John the Baptist
Oil on panel. Ca. 1566
Morales, Luis de
Saint John the Baptist
Oil on panel. Ca. 1566
Morales, Luis de

It is not known when or how these two paintings -Saint John the Baptist and Saint Juan de Ribera (P947)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]

The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)
The Virgin Dolorosa with her Hands apart
Oil. 1555
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)
Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)

In this three-quarter portrait Queen Isabel de Valois (1546-1568) wears a black velvet gown with round sleeves from which her slashed red silk undersleeves embroidered with gold and silver thread peep [+]

Infernal Landscape
Oil on panel. Ca. 1565
Anonymous (Follower Of Bosch, Hieronymus)
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous (Follower Of Bosch, Hieronymus)

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)
Isabel de Valois holding a Portrait of Philip II
Oil on canvas. 1561 - 1565
Anguissola, Sofonisba (Attributed To)

This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]

Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)
Mater Dolorosa with Clasped Hands
Oil on panel. 1554
Titian (Tiziano Vecellio)

We know from a letter of 30 June 1553 from the Spanish Ambassador in Venice that Titian was waiting for instructions from the emperor to paint a panel of Our Lady the same as the Ecce Homo which Your [+]

Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis
Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis

The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]

Charity
Oil on panel. 1550 - 1560
Portelli, Carlo
Charity
Oil on panel. 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

Saint Jerome
Oil on panel transferred to canvas. Ca. 1566
Campi, Antonio
Saint Jerome
Oil on panel transferred to canvas. Ca. 1566
Campi, Antonio

Born in Cremona, Campi’s style combined Mannerist elements, such as the contorted bodies of the figures, and naturalistic ones, such as the detailed depiction of objects. In the late 1560s his paintin [+]

View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de
View of the Monastery of El Escorial
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de

Between the vegetation of La Herrería and a sky that silhouettes the mountains, the southern façade of the Royal Seat of San Lorenzo, perhaps the most balanced of the entire edifice, sta [+]

Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis
Joanna of Austria
Oil on canvas. 1560
Mor, Anthonis

Joanna of Austria (1535-73) was the daughter of Emperor Charles V, and sister of King Philip II of Spain. In 1552, she married her first cousin, the Portuguese Prince John Manuel (Joao Manuel). The pr [+]

Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de
Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de

It is not known when or how these two paintings -Saint Juan de Ribera and Saint John the Baptist (P950)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]

Infanta Isabel Clara Eugenia and Magdalena Ruiz
Oil on canvas. 1585 - 1588
Sánchez Coello, Alonso
Infanta Isabel Clara Eugenia and Magdalena Ruiz
Oil on canvas. 1585 - 1588
Sánchez Coello, Alonso

Alonso Sánchez Coello was court painter to Philip II and he united two different pictorial styles developed in the mid sixteenth century by Titian and Anthonis Mor respectively. Sánchez [+]

The Resurrection of Christ
Oil on panel. Ca. 1566
Morales, Luis de
The Resurrection of Christ
Oil on panel. Ca. 1566
Morales, Luis de

The dimensions, format, theme, support and pictorial style of these three works -The Crucifixion (P8211), Lamentation over the Dead Christ (Museo de Salamanca, CE 106) and The Resurrection (P8212)- al [+]

Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)
Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)

The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]

Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Man about to strike a seated soldier
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Insofar as it is possible to judge from its fragmentary condition (more than half the drawing is made up; the original piece of paper on which the study is made occupies the upper section only of the [+]

The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Presentation in the Temple
Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The drawing was formerly placed in the collection under the name of Sandro Botticelli (1444/5-1510), following the traditional identification. The style is however surely Marchigian, not Florentine, a [+]

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