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El Cid's Daughters, from Romance XLIV of the Tesoro de Romanceros
Oil on canvas. 1871
Puebla y Tolín, Dióscoro Teófilo
El Cid's Daughters, from Romance XLIV of the Tesoro de Romanceros
Oil on canvas. 1871
Puebla y Tolín, Dióscoro Teófilo

Abused and raped by their husbands the Counts of Carrión, the daughters of El Cid –Doña Elvira and Doña Sol– were abandoned, bound and semi-naked, in a forest. In the background, [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

The Burial of Christ
Oil on canvas. 1572
Titian
The Burial of Christ
Oil on canvas. 1572
Titian

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter
The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter

Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre. Their content, as well as the painter’s Flemish training, explain his manner of empha [+]

Penitent Magdalen
Oil on canvas. 1583
Veronés, Paolo
Penitent Magdalen
Oil on canvas. 1583
Veronés, Paolo

Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

The Haywain Triptych
Oil on panel . 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel . 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

Charity
Oil on panel . 1550 - 1560
Portelli, Carlo
Charity
Oil on panel . 1550 - 1560
Portelli, Carlo

This Charity, one of the most important works by the Tuscan painter Portelli, derives from a work on the same subject by Francesco Salviati (1510-1563) now in the Uffizi, Florence, emulating its compo [+]

Jane Dormer, Duchess of Feria (?)
Oil on canvas. Ca. 1558
Moro, Antonio
Jane Dormer, Duchess of Feria (?)
Oil on canvas. Ca. 1558
Moro, Antonio

Anthonis Mor established an elegant portrait type in which the sitter gazes steadily out at the viewer, a model that was followed by several other artists. This half-length painting of a standing woma [+]

The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian
The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian

On 13 July 1558, Philip II asked Titian to make haste with the completion of an Agony in the Garden which the artist had agreed to finish one year earlier, but which was only sent to the monarch in 15 [+]

Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro
Noli me Tangere
Oil on canvas. 1630 - 1635
Núñez del Valle, Pedro

As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]

The Temptations of Saint Anthony
Oil on oak panel. 1510 - 1515
Bosch, Hieronymus
The Temptations of Saint Anthony
Oil on oak panel. 1510 - 1515
Bosch, Hieronymus

This panel originally had an arched top and included a more open landscape with less leafy trees. At an unknown date the work must have suffered damage that affected the pictorial surface, resulting i [+]

The Triumph of Death
Oil on panel . 1562 - 1563
Bruegel “the Elder", Pieter
The Triumph of Death
Oil on panel . 1562 - 1563
Bruegel “the Elder", Pieter

In this moral work, the triumph of Death over mundane things is symbolized by a large army of skeletons razing the Earth. The background is a barren landscape in which scenes of destruction are still [+]

Pentecost
Oil on canvas. 1615 - 1620
Maíno, Fray Juan Bautista
Pentecost
Oil on canvas. 1615 - 1620
Maíno, Fray Juan Bautista

Shortly after he painted the Pentecost for the high altar of the church of San Pedro Mártir in Toledo, Maíno executed this second version on a larger scale and in a wider format, which a [+]

Emperor Maximilian II
Oil on canvas. 1550
Moro, Antonio
Emperor Maximilian II
Oil on canvas. 1550
Moro, Antonio

The son of Ferdinand of Austria, then King of Romans and next emperor (1556-1564) of the Germanic Holy Roman Empire, and his wife Anna Jagellonica, queen of Hungary and Bohemia, was born in Vienna on [+]

Christ on the Way to Calvary
Oil on oak panel. Ca. 1547
Kempeneer, Pieter
Christ on the Way to Calvary
Oil on oak panel. Ca. 1547
Kempeneer, Pieter

Until this donation by Placido Arango in 2015, the Museo del Prado had no paintings by Pieter van Kempeneer, an artist born in Brussels and first documented in Seville in 1537 after a period spent in [+]

The Agony in the Garden
Oil on panel . Ca. 1545
Morales, Luis de
The Agony in the Garden
Oil on panel . Ca. 1545
Morales, Luis de

Christ’s prayer on the Mount of Olives is the gospel episode that precedes his arrest and the beginning of his Passion and death on the cross. After the last supper with his disciples, Jesus withdraws [+]

Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to the Sienese Francesco Vanni (1563-1610), this drawing was subsequently placed in the collection as the work of the eighteenth-century Roman painter Pompeo Batoni (1708-1787 [+]

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