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Lady with a Yellow Flower
Oil on panel. Ca. 1567
Cronenburch, Adriaen Van
Lady with a Yellow Flower
Oil on panel. Ca. 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02074, P02075 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

Lady with Gold Chains
Oil on canvas. Ca. 1560
Mor, Anthonis
Lady with Gold Chains
Oil on canvas. Ca. 1560
Mor, Anthonis

In this three-quarter length standing portrait, the unknown lady is wearing a rich, slashed dress with loose sleeves in the Turkish fashion, decorated with gold brocade; the dress is adorned with the [+]

Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Lady and Girl
Oil on panel. 1567
Cronenburch, Adriaen Van
Lady and Girl
Oil on panel. 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02073, P02074 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

Self-portrait (?)
Oil on panel. Ca. 1570
Sánchez Coello, Alonso (Attributed To)
Self-portrait (?)
Oil on panel. Ca. 1570
Sánchez Coello, Alonso (Attributed To)

While not absolutely certain, this is generally considered a self-portrait by Sánchez Coello, a pupil of Anthonis Mor and first court portraitist to Philip II. The artist deploys a detailed tec [+]

Tityus
Oil on canvas. 1632
Ribera, Jusepe de, lo Spagnoletto
Tityus
Oil on canvas. 1632
Ribera, Jusepe de, lo Spagnoletto

Tityus, the son of Jupiter and Elara, appears chained to the boulder in Tartarus while an eagle eternally devours his liver. The Giant received that punishment for attempting to rape one of his father [+]

Portrait of a Woman
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio) (And Workshop)
Portrait of a Woman
Oil on canvas. Ca. 1560
Titian (Tiziano Vecellio) (And Workshop)

Previously catalogued as Portrait of Titian’s Daughter Lavinia Vecellio by Veronese, this canvas of an unknown sitter was painted in Titian’s studio. The lively face, probably painted by Titian himsel [+]

Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)
Christ among the Doctors in the Temple
Oil on canvas. Ca. 1560
Veronese, Paolo (Paolo Cagliari)

This work illustrates the final passage of Christ´s childhood (Luke 2, 41-50) when, at the age of 12, he was taken to Jerusalem by his parents to celebrate Passover. Mary and Joseph lost their son, an [+]

Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro
Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro

The parable of Lazarus (Luke 16: 19-31) has been interpreted in many ways: an apology of charitable works; a comparison between salvation and perdition, and between gentiles (Lazarus) and Jews (Epulon [+]

Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous
Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous

This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is match [+]

Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)
Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)

Purchased by Charles IV, this portrait entered the royal collections in 1814 and was already listed in the Museo del Prado’s catalogs in 1854 as a work by Juan de Juanes. The identity of the sitter ha [+]

A Soldier
Oil on canvas. Ca. 1560
Moroni, Giovanni Battista
A Soldier
Oil on canvas. Ca. 1560
Moroni, Giovanni Battista

Painted in Bergamo, this canvas reveals Moroni’s innate gifts as a portraitist, which were based on his remarkable ability to offer an objective depiction of real life in which the Lombardo-Venetian t [+]

Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)
Queen Elisabeth of Valois, third wife of Philip II
Oil on canvas. Ca. 1605
Pantoja de la Cruz, Juan (After Anguissola, Sofonisba)

In this three-quarter portrait Queen Isabel de Valois (1546-1568) wears a black velvet gown with round sleeves from which her slashed red silk undersleeves embroidered with gold and silver thread peep [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

Landscape with Shepherds
Oil on panel. Ca. 1560
Dalem, Cornelis Van
Landscape with Shepherds
Oil on panel. Ca. 1560
Dalem, Cornelis Van

This view reflects the new approach to mountain landscapes introduced by Pieter Bruegel the Elder in the 1550s. In comparison to Patinir’s fragmented vision, it presents the landscape as a completed w [+]

The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter
The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter

Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre. Their content, as well as the painter’s Flemish training, explain his manner of empha [+]

The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de
The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de

Morales here presents us with one of his most successful and heartwarming subjects, that of the Virgin and Child, although he also includes in this case the figure of the infant St John the Baptist, w [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

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