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Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)
Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)

This is a painting of rather mediocre quality for which the artists drew on several ricordi from the stock at the family bottega. To cite an example, the horse and pair of dogs on the right specifical [+]

A Venetian General
Oil on canvas. 1570 - 1575
Tintoretto, Jacopo Robusti
A Venetian General
Oil on canvas. 1570 - 1575
Tintoretto, Jacopo Robusti

A portrait of a Venetian soldier wearing armor. He holds a baton in his right hand and his weapons in his left. Turned, he extends his arm toward the viewer, thus opening a third dimension in this com [+]

The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the elder.” Rubens placed his figure [+]

The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de
The Immaculate Conception as a Child
Oil on canvas. 1656
Zurbarán, Francisco de

The Virgin Mary is presented as a little girl with her hands crossed over her chest. Wearing blue and white, she ascends on a group of angels’ heads as the heavens open to welcome her. This differs fr [+]

Saint Jerome
Oil on oak panel. 1530 - 1540
Massys, Jan (Workshop Of)
Saint Jerome
Oil on oak panel. 1530 - 1540
Massys, Jan (Workshop Of)

The workshop of Jan Massys (c. 1509-1575) in Amberes produced a number of copies of this image based on a protoype by Quinten Massys, Jan’s father. Notable is the saint’s powerful look, which bestows [+]

Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul
Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Peter Paul; Bril, Paul

On a number of occasions, Peter Paul Rubens partially overpainted finished pictures. He did this to paintings by his own hand, such as Nymphs and Satyrs (P1666), which he retouched and enlarged twenty [+]

Self-portrait (?)
Oil on panel. Ca. 1570
Sánchez Coello, Alonso (Attributed To)
Self-portrait (?)
Oil on panel. Ca. 1570
Sánchez Coello, Alonso (Attributed To)

While not absolutely certain, this is generally considered a self-portrait by Sánchez Coello, a pupil of Anthonis Mor and first court portraitist to Philip II. The artist deploys a detailed tec [+]

Young Venetian Woman
Oil on canvas. Ca. 1580
Tintoretto, Domenico
Young Venetian Woman
Oil on canvas. Ca. 1580
Tintoretto, Domenico

[+]

Adoration of the Shepherds
Oil on panel. Ca. 1580
Bassano, Jacopo (Jacopo Dal Ponte)
Adoration of the Shepherds
Oil on panel. Ca. 1580
Bassano, Jacopo (Jacopo Dal Ponte)

There are two more known versions of this work in Vienna (Kunsthistorisches Museum, inv. 1581) and a private collection in Padua. The former has always been attributed to Francesco, whereas Ballarin h [+]

Winter
Oil on canvas. Second half of the XVI century
Bassano (Workshop Of)
Winter
Oil on canvas. Second half of the XVI century
Bassano (Workshop Of)

The Seasons are the second of the three types of four canvas sets produced by the Bassano bottega in the 1570s. Like the Noah and Elements series, they were extraordinarily successful and many replica [+]

Saint Anthony of Padua
Oil on canvas. Ca. 1580
el Greco (Domenikos Theotokopoulos)
Saint Anthony of Padua
Oil on canvas. Ca. 1580
el Greco (Domenikos Theotokopoulos)

The pyramidal composition and the monumental character of the figure are similar to those of Saint Benedict (P-817), also in the Prado. An exceptional depiction of this saint from Lisbon holding a spr [+]

Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro
Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro

The parable of Lazarus (Luke 16: 19-31) has been interpreted in many ways: an apology of charitable works; a comparison between salvation and perdition, and between gentiles (Lazarus) and Jews (Epulon [+]

Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous
Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous

This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is match [+]

The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro
The Descent from the Cross
Oil on copperplate. Ca. 1550
Allori, Alessandro

Christ´s dead body is taken off the Cross by Joseph of Arimathea, Nicodemus and Saint John the Evangelist. Among the people at his feet are the Virgin Mary, the mother of Joseph —also called Mary— as [+]

The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter
The Descent from the Cross
Oil on oak panel. Ca. 1570
Kempeneer, Pieter

Calvary and The Descent from the Cross were two of the most frequent subjects in Pedro de Campaña’s oeuvre. Their content, as well as the painter’s Flemish training, explain his manner of empha [+]

The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de
The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. Ca. 1570
Morales, Luis de

Morales here presents us with one of his most successful and heartwarming subjects, that of the Virgin and Child, although he also includes in this case the figure of the infant St John the Baptist, w [+]

The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de
The Adoration of the Magi
Oil on panel. 1565 - 1570
Morales, Luis de

It is extremely likely that these two panels, -The Adoration of the Magi and The Adoration of the Shepherds-, similar in format, measurements and style, belonged to the predella of the same altarpiece [+]

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