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Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous
Portrait of an Unidentified Boy
Oil on oak panel. Ca. 1570
Anonymous

This more-than-half-length portrait presents a boy dressed in black with a white shirt. He rests his left hand on his waist while holding his gloves in his right. A gold chain around his neck is match [+]

Adoration of the Shepherds
Oil on canvas. After 1575
Anonymous (Workshop Of Bassano)
Adoration of the Shepherds
Oil on canvas. After 1575
Anonymous (Workshop Of Bassano)

This is a modest bottega product illustrating the passage on the birth of Christ (Luke 2: 8-20) which lends itself particularly well to a nocturnal setting. It is a replica, not of the Adoration of th [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous (Manner Of Bedoli, Girolamo Mazzola)
Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous (Manner Of Bedoli, Girolamo Mazzola)

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D015 [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous
Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous

The figure appears to derive from the circle of the Florentine Mannierist, Francesco Salviati (c. 1520-c. 1575), rather than from the School of Raphael. Especially redolent of Salviati´s invention is [+]

Design for an ewer
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Design for an ewer
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

This appears to reflect a sixteenth-century prototype designed by an artist such as Giulio Romano (c. 1499-1546) or Francesco Salviati (c. 1520 - c. 1575). [+]

Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Christ Disputing with the Doctors in the Temple and Separate Studies of a Head and of a Figure
Pencil ground, Grey-brown ink, Wash on yellow paper. XVII century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

As Scavizzi rightly pointed out in a note on the modern museum mount, the principal composition is derived from Parmigianino. From the style of the copy, as well as that of the separate studies to the [+]

The Virgin crowned by angels
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
The Virgin crowned by angels
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The style of the drawing does indeed seem Emilian, but is more suggestive of that of artist working in the city from a later period, such as Cesi (1556-1629) and the young Guido Reni (1575-1642). [+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Este dibujo y el (D01727), son variantes de la misma composición, fueron relacionados por los Suida con el cuadro Lucrecia, de Cambiaso, fechable hacia 1575, que se encontraba antiguamente en una cole [+]

The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The death of Lucretia
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

This drawing and D1728, which are variants of the same composition, were connected by the Suidas with Cambiaso´s painting of Lucretia, datable c. 1575, formerly in a private collection, Lugano, then i [+]

The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous (Copy Polidoro Da Caravaggio)
The Story of Niobe
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper attached to canvas. 1575 - 1580
Anonymous (Copy Polidoro Da Caravaggio)

This is one of the few copies to survive showing the whole of Polidoro´s famous frieze with the Story of Niobe, painted below the windows of the first floor of the Palazzo Milesi, Via della Maschera d [+]

Antinous of Bithynia
Marble. 130 - 150
Anonymous
Antinous of Bithynia
Marble. 130 - 150
Anonymous

Antinous (c. 105-130AD), the Emperor Hadrian’s favourite, was deified with the name of Osiris to commemorate his death in the Nile and he was venerated as a god under the Roman Empire. By the fifteent [+]

Chest
Walnut. 1550 - 1575
Anonymous
Chest
Walnut. 1550 - 1575
Anonymous

Pieces of furniture of this type originated in northern Italy and were extremely popular during the Renaissance. They were used for storing a range of objects, particularly clothes and textiles. This [+]

Case for agate urn with masks
Metal, Cloth, Leather, Wood. 1550 - 1575
Anonymous
Case for agate urn with masks
Metal, Cloth, Leather, Wood. 1550 - 1575
Anonymous

Estuche con alma de madera tallada, forro de lana roja casi perdido y revestimiento de piel color castaño, gofrada en seco con la aplicación de otro textil o piel. Con decoración de hierro de flores y [+]

Small rock crystal ewer with a boy, without a handle
Gold, Silver gilt, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous
Small rock crystal ewer with a boy, without a handle
Gold, Silver gilt, Rock crystal / hyaline quartz, Enamel. 1550 - 1575
Anonymous

A vessel composed of three pieces of rock crystal and two partially enamelled silver gilt mounts, practically the same as O75, though lacking its handle. The globular body is made up of two pieces ass [+]

Cup with a gold mermaid
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1575
Anonymous
Cup with a gold mermaid
Gold, Agate, Ruby, Diamond, Enamel. 1550 - 1575
Anonymous

Cup, possibly a saltcellar, comprising a gold-enamelled sculpture, studded with rubies and diamonds, and two pieces of agate. The figure is a double-tailed mermaid, with a natural-coloured gold torso [+]

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