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Portrait of a Gentleman
Oil on canvas. 1618 - 1623
Maíno, Fray Juan Bautista
Portrait of a Gentleman
Oil on canvas. 1618 - 1623
Maíno, Fray Juan Bautista

Nothing is known of this middle-aged gentleman with his black doublet and cloak, against which the wide, segmented ruff or gola and the delicate white cuff at his right wrist stand out. At his waist are a belt and a sword belt, both very plain, though essential accessories of aristocratic dress in Spain in the Golden Age. The sitter is depicted three-quarter length and lit from the side with a lig

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

May (Gemini)
Oil on canvas. S XVI - XVII century
Bassano, Francesco
May (Gemini)
Oil on canvas. S XVI - XVII century
Bassano, Francesco

Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his death in 1592 mentions sketches of the twelve months from January to December (two different versions of some, such as May and June), and a further seven of unspecified months. In 1648, Ridolfi referred t

Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Adoration of the Shepherds
Oil on panel. Ca. 1580
Bassano, Jacopo (Jacopo Dal Ponte)
Adoration of the Shepherds
Oil on panel. Ca. 1580
Bassano, Jacopo (Jacopo Dal Ponte)

There are two more known versions of this work in Vienna (Kunsthistorisches Museum, inv. 1581) and a private collection in Padua. The former has always been attributed to Francesco, whereas Ballarin has assigned the second to Jacopo, dating it to about 1575. In Ballarin´s view, the Padua painting is the original from which the other versions were derived and on which Jacopo based his first Adorati

July (Leo)
Oil on canvas. S XVI - XVII century
Bassano, Francesco
July (Leo)
Oil on canvas. S XVI - XVII century
Bassano, Francesco

Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his death in 1592 mentions sketches of the twelve months from January to December (two different versions of some, such as May and June), and a further seven of unspecified months. In 1648, Ridolfi referred t

Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco
Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco

Although Bettini noted a number of paternal precedents for this painting, it is a personal interpretation by Francesco of the gospel passage. Three versions are known, of which the Prado painting is the last. The first, dated about 1585, was auctioned by Sotheby´s of Florence in 1984, and there is a preparatory drawing of the figures of the elderly man with a bear and the page on the left (V

The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Portrait of a Gentleman
Oil on canvas. Ca. 1586
el Greco (Domenikos Theotokopoulos)
Portrait of a Gentleman
Oil on canvas. Ca. 1586
el Greco (Domenikos Theotokopoulos)

A long bust of a young manwith a gaunt face bearing a moustache and goatee, large dark, almond-shaped eyes and a long, thin nose. His short, dark hair brings out his pale complexion. He is dressed in black, with a short ruff collar, and the lapels and collar of his outer garment suggest it is a sort of cassock, although the lack of definition in the sleeves prevents any greater specificity. The ba

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 18,600 maravedíes on account, corresponding to an order of payment from the Chief Notary of the Council of Aragon, Jerónimo de Villanueva (died 1653). Maíno completed the painting

September (Libra)
Oil on canvas. S XVI - XVII century
Bassano, Francesco
September (Libra)
Oil on canvas. S XVI - XVII century
Bassano, Francesco

Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his death in 1592 mentions sketches of the twelve months from January to December (two different versions of some, such as May and June), and a further seven of unspecified months. In 1648, Ridolfi referred t

The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

The Guardian Angel, Saint Ursula and Saint Thomas
Oil on canvas. Ca. 1615
Cecco del Caravaggio (Francesco Buoneri)
The Guardian Angel, Saint Ursula and Saint Thomas
Oil on canvas. Ca. 1615
Cecco del Caravaggio (Francesco Buoneri)

This painting was first attributed to Cecco del Caravaggio by Joan Ainaud de Lasarte in 1947. At that time, very little was known about this painter, who was later identified as Francesco Buoneri, an artist working in Rome during the second decade of the seventeenth century who had previously been the most outstanding follower of Caravaggio. His relationship with the latter may also have been more

Saint Catherine of Siena
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Catherine of Siena
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Saint Anthony Abbot in a Landscape
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Anthony Abbot in a Landscape
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight months to make the paintings, which had to portray the scenes and episodes specified by the prior of the monastery. Despite the agreement reached in the contract, the paintings were not completed until De

Pentecost
Oil on canvas. 1615 - 1620
Maíno, Fray Juan Bautista
Pentecost
Oil on canvas. 1615 - 1620
Maíno, Fray Juan Bautista

Shortly after he painted the Pentecost for the high altar of the church of San Pedro Mártir in Toledo, Maíno executed this second version on a larger scale and in a wider format, which allowed him to position the fourteen figures in the scene in a balanced manner. Mary occupies the centre of the composition with the Apostles on either side of her, six standing just behind her and six

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