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Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous
Sailing Boats in a River Estuary
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

Sailing Boat and Fishing Boat by the Coast
Oil on panel. XVII century
Anonymous
Sailing Boat and Fishing Boat by the Coast
Oil on panel. XVII century
Anonymous

These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum`s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]

Agustín Profit, el Calabrés
Oil on canvas. Ca. 1590
Anonymous
Agustín Profit, el Calabrés
Oil on canvas. Ca. 1590
Anonymous

The portraitee, chamberlain to King Philip II and warden of the Country House, is dressed in black, except for cuffs and frills, his figure silhouetted against a neutral background. His head is covere [+]

Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous
Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous

Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]

The Way to Calvary
Oil on canvas. XVII century
Anonymous
The Way to Calvary
Oil on canvas. XVII century
Anonymous

Catalogada hasta 1965 como obra de escuela napolitana, Pérez Sánchez señaló que era obra boloñesa, de estilo muy próximo a Sisto Badalocchio (1585-c. 1647). Recuerda a un Camino del Calvario de este a [+]

Saint John the Baptist
Oil on panel. Late XVI century
Anonymous
Saint John the Baptist
Oil on panel. Late XVI century
Anonymous

[+]

The Annunciation
Oil on canvas. Late XVI - Primer tercio del siglo XVII century
Anonymous
The Annunciation
Oil on canvas. Late XVI - Primer tercio del siglo XVII century
Anonymous

Copia del cuadro La Anunciación, de Vicente Carducho, que se conserva en el Monasterio de la Encarnación (Madrid). [+]

Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous
Christ preaching to the multitude
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. Late XVI century
Anonymous

In spite of the optimism about the drawing´s authorship expressed by one of its earlier owners, this is surely a copy after a sixteenth-century Venetian composition, which I have not yet identified. T [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Dibujo en el que se representa a la santa en pie, de frente, con las manos juntas, sosteniendo una cruz y con los pies sobre el dragón. Sigue la tradición escurialense, imitación de Zuccaro y Cambiaso [+]

Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous
Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous

This is a copy after a prototype by either Tintoretto (1560-1635), or Veronés (1528-1588), or by a member of their respective circles. [+]

Pharaoh´s daughter with two serving-maids, tending the infant Moses
Pencil, Grey-brown ink, White lead, Wash on brown paper. Late XVI century
Anonymous
Pharaoh´s daughter with two serving-maids, tending the infant Moses
Pencil, Grey-brown ink, White lead, Wash on brown paper. Late XVI century
Anonymous

The drawing, which seems little more than a copy, carries an old attibution to Antonio Vassilacchi, l´Aliense (1556-1629). The composition indeed seems Venetian. [+]

God the Father, with the dove of the Trinity, appearing to the Virgin and Child, St. Anne, St. Jerome, and St. Andrew (?)
Pencil, Grey-brown ink, White lead, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous
God the Father, with the dove of the Trinity, appearing to the Virgin and Child, St. Anne, St. Jerome, and St. Andrew (?)
Pencil, Grey-brown ink, White lead, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous

Traditionally attributed to Palma Giovane. This seems however to be a feeble copy, perhaps based on a composition by the master, or a member of his studio. [+]

Allegory of Venice
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Late XVI century
Anonymous
Allegory of Venice
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Late XVI century
Anonymous

The style is indeed reminiscent of some of Veronese´s many followers, for example Battista Zelotti (c. 1526-1578). The allegorical female figure of Venice is crowned and sitting on the Lion of St Mark [+]

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