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The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel
The Death of the Virgin (centre); The Birth of the Virgin (left); The Presentation of the Virgin (right)
Grisaille, Oil on panel. Before 1550
Coxcie, Michiel

This triptych was executed for the church of Saint Gudule in Brussels. According to Carel van Mander (1604) it was subsequently sold "for a very high price to Spain". Philip II sent it to El Escorial [+]

The Birth of the Virgin. The Annunciation. The Adoration of the Shepherds
Oil on panel. Before 1550
Coxcie, Michiel
The Birth of the Virgin. The Annunciation. The Adoration of the Shepherds
Oil on panel. Before 1550
Coxcie, Michiel

This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]

Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco
Last Supper
Oil on canvas. Ca. 1586
Bassano, Francesco

Although Bettini noted a number of paternal precedents for this painting, it is a personal interpretation by Francesco of the gospel passage. Three versions are known, of which the Prado painting is t [+]

The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente
The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente

This painting depicts the battle of Fleurus, near Brussels, which pitted troops from the Catholic League commanded by General Gonzalo Fernández de Córdoba against Protestant Union soldie [+]

Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)
Philip II
Oil on canvas. 1549 - 1550
Titian (Tiziano Vecellio) (Workshop Of)

Philip II (r. 1556-98) was Titian´s most important patron, and together they forged one of the most fruitful artistic relationships of the European Renaissance. Philip surpassed all of the Venetian pa [+]

The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

Christ carrying the Cross
Oil on canvas. Ca. 1602
el Greco (Domenikos Theotokopoulos)
Christ carrying the Cross
Oil on canvas. Ca. 1602
el Greco (Domenikos Theotokopoulos)

A slightly more than half-length image of Jesus wearing a red tunic and blue robes. Holding the cross with both hands, he rests it on his left shoulder. His head is slightly raised and his watery eyes [+]

The Holy Family
Oil on canvas. 1631
Carducho, Vicente
The Holy Family
Oil on canvas. 1631
Carducho, Vicente

Vicente Carducho is a paradigmatic figure in Spanish painting from the early decades of the seventeenth century, a period of transition from the Tuscan-Roman mannerism to so-called early naturalism. I [+]

The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y
The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y

In this painting, following His crucifixion and descent from the Cross, the body of Christ lies upon a white cloth. On His left is a beam of the cross bearing the sign that identifies Him as King of t [+]

The Presentation of the Virgin at the Temple. The Visitation. The Adoration of the Magi
Oil on panel. Before 1550
Coxcie, Michiel
The Presentation of the Virgin at the Temple. The Visitation. The Adoration of the Magi
Oil on panel. Before 1550
Coxcie, Michiel

This triptych was made for the cathedral of Saints Michael and Gudule in Brussels and later sold "to Spain for a very high price" according to Carel van Mander (1604). Philip II donated it to El Escor [+]

Margaret, Duchess of Parma / Mary of Portugal, Wife of Alessandro Farnesse
Oil on panel. After 1565
Mor, Anthonis
Margaret, Duchess of Parma / Mary of Portugal, Wife of Alessandro Farnesse
Oil on panel. After 1565
Mor, Anthonis

On the diptych’s left door, Mor portrays Alexander Farnese’s mother, who was Charles V’s illegitimate daughter by Juana van der Gheyst. Born in Audenarde in 1521, she died in Ortonna in 1586 after mar [+]

The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)
The Agony in the Garden
Oil on canvas. 1558 - 1562
Titian (Tiziano Vecellio)

On 13 July 1558, Philip II asked Titian to make haste with the completion of an Agony in the Garden which the artist had agreed to finish one year earlier, but which was only sent to the monarch in 15 [+]

The Veil of Saint Veronica
Oil on canvas. 1586 - 1595
el Greco (Domenikos Theotokopoulos) (And Workshop)
The Veil of Saint Veronica
Oil on canvas. 1586 - 1595
el Greco (Domenikos Theotokopoulos) (And Workshop)

El Greco executed various versions of the Holy Face on the Veil of Veronica, an iconographic motif that became very popular at the end of the Middle Ages. According to the story that developed during [+]

Young Man between Vice and Virtue
Oil on canvas. Ca. 1581
Veronese, Paolo (Paolo Cagliari)
Young Man between Vice and Virtue
Oil on canvas. Ca. 1581
Veronese, Paolo (Paolo Cagliari)

The moralizing intention of this work shows the two paths that will tempt men over the course of their lives: Virtue and Vice. Virtue, wearing the crown of laurels that has been her symbol since Antiq [+]

Johanna Martens
Oil on canvas. 1625
Moreelse, Paulus
Johanna Martens
Oil on canvas. 1625
Moreelse, Paulus

The work is a three-quarter length portrait of Johanna Martens (1599-1639), the wife of Antonie van Hilten (1586-1670) -Secretary of State of Utrecht (1618-1670), dignified by Prince Maurice of Orange [+]

Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)
Isabel Clara Eugenia
Oil on canvas. 1591 - 1592
Anonymous (After Sánchez Coello, Alonso); Kraek, Jan ( Also Called Giovanni Caracca)

Tras la muerte de Felipe II la corte quedó sumida en el luto, y así se hizo retratar su hija Isabel Clara Eugenia en esta obra. Viste saya negra de la que asoman manguillas de raso blanco con bordadur [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Martyrdom of St. Laurence
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

The composition resembles in reverse the lower half of Cambiaso´s great altarpiece in the monastery of San Lorenzo, El Escorial (now Sala de Capas), painted in Genoa and dispatched in 1581, two years [+]

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