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Apollo with Zither
White marble. 175 - 200
Roman Sculptor
Apollo with Zither
White marble. 175 - 200
Roman Sculptor

This statue is a Roman copy of a late Hellenistic statue (c. 100 B. C.) which, in turn, was inspired by the main statue of the temple of Apollo Sosianus in Rome, made by the Athenian sculptor Timarchides (c. 150 B. C.). The god is represented as the guide of the muses and the source of divine inspiration, playing his favourite instrument with his (now lost) right hand.

Young orator
White marble. First quarter of the I century
Roman Sculptor
Young orator
White marble. First quarter of the I century
Roman Sculptor

This Roman copy of a late Hellenistic eclectic sculpture (c. 100 B. C.) is based on several models: the body on the Narcissus of the School of Polyclitus (c. 400 B. C.) and the head on that of the Ares Ludovisi (c. 325 B. C.), with the addition of a herm with a cloak from the late Hellenistic period. Restored with a parchment in the left hand, this sculpture of a youth received the name of “young

Philip II's Tabletop
Africano marble, White marble, Agate, Jasper, Lapis lazuli. Before 1587
Roman Sculptor
Philip II's Tabletop
Africano marble, White marble, Agate, Jasper, Lapis lazuli. Before 1587
Roman Sculptor

This tabletop was sent from Rome by Cardinal Alessandrino, nephew of Pope Pius V, to Philip II of Spain in 1587. Of unusual proportions, it is designed to create the impression that the inlay is made of precious stones. The bronze mounts date from the reign of Isabel II. Like the Table of don Rodrigo Calderon (O00448), this tabletop rests on four of the twelve lions that Velazquez commissioned fro

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