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Lorenzo Lotto`s various depictions of the penitent Saint Jerome span early versions influenced by Albrecht Dürer and Giovanni Bellini (Musée du Louvre, Paris, 1506) and by young Raphael (M [+]
In a lush, wooded landscape on the banks of a quiet river, a nude woman, sitting on a richly colored red cloak, gestures to two male figures posed beside her. Supporting a glazed jug in her lap, she p [+]
Aunque sus obras derivan de los paisajes de tipo panorámico, Valkenborch se especializa en paisajes montañosos, llenos de detalles, que reflejan un realismo nuevo y a veces una topografía real. En est [+]
El retratado lleva media armadura y posa su mano derecha sobre el casco que hay sobre una mesa a la izquierda. La mano izquierda sujeta la empuñadura de la espada que lleva colgada a la cintura. Ernes [+]
Primarily known as one of Spain’s most original still-life painters, Sánchez Cotán’s numerous religious works are characterised by the idealisation of the figures, concise line, pale col [+]
Mary, wrapped in a red tunic, with a white headdress under her blue robes, is depicted here with an intense sense of devotion. The luminous halo alludes to the image´s sacred character and is used by [+]
In the second half of the 16th century, Flemish artists established the mountain view as a new type of landscape and Valckenborch was one of the leading representatives of this genre. Based on real, a [+]
Venus, the Roman goddess of Love and Beauty, is accidentally wounded by one of her son Cupid´s arrows, which triggers her passion for Adonis. This love story ends with the tragic death of the he [+]
Eugenio was the son of Tuscan painter Patricio Cajés, who came to Spain to work for Philip II at the monastery of El Escorial. His mother, Casilda de la Fuente, was Spanish. He began studying p [+]
The Apostles sleep in the foreground, indifferent to the suffering of Christ who is attended by angels. One holds a chalice, prefiguring the Passion. The artist looked to Correggio (c. 1489-1534) in t [+]
This painting, also known as the Embarkation of the Doge in the Riva degli Schiavoni, is dated after 1595, the year Leandro was ennobled, since the signature denotes his knightly status. In the 17th c [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
There are two classical Floras: the mythological goddess, wife of Zephyrus and an example of marital harmony and fertility; and the legendary Roman prostitute of that name. The two became associated i [+]
The Florentine Bartolomé Carducho arrived at the royal monastery of El Escorial in 1585, two years after El Greco had completed The Martyrdom of Saint Maurice for that building. Philip II was u [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
This is a modest bottega product illustrating the passage on the birth of Christ (Luke 2: 8-20) which lends itself particularly well to a nocturnal setting. It is a replica, not of the Adoration of th [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
In 1648 Carlo Ridolfi began his biography of Leandro Bassano by praising his talent as a portraitist (particolarmente eccellente ne`ritratti). This skill was generously acknowledged during his lifetim [+]
