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Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van
Landscape with a Carthusian (Saint Bruno?)
Oil on canvas. 1636 - 1638
Swanevelt, Herman Van

The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]

The Resurrection
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Resurrection
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

At the top, a nude Christ bears a white banner in his left hand, symbolizing triumph over death. His purple robe signifies sacrifice and martyrdom, while his rhomboidal halo echoes the Byzantine tradi [+]

The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Annunciation
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

A passage from the New Testament (Luke I, 26-38) that tells of the annunciation of the Virgin´s motherhood by the Archangel Gabriel and the incarnation of Christ in Mary by the Holy Ghost in the form [+]

The Baptism of Christ
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Baptism of Christ
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

This evangelical episode is divided into two overlapping horizontal zones joined by the dove, which symbolizes the Holy Ghost. On the earthly plane, Christ, nude but for his loincloth, is framed by a [+]

River Landscape
Oil on panel. 1645 - 1648
Schoeff, Johan Pietersz.
River Landscape
Oil on panel. 1645 - 1648
Schoeff, Johan Pietersz.

This is the type of river landscape in which Schoeff specialised. In its compositional arrangement and diverse elements -tree, windmill, fishing boats- it closely resembles the river landscapes painte [+]

The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

View of El Campillo, the El Escorial Monks' country home
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de
View of El Campillo, the El Escorial Monks' country home
Oil on canvas. Third quarter of the XVII century
Agüero, Benito Manuel de

This work could be defined as a descriptive landscape combined with a genre scene of everyday life. Small figures inhabit a canvas that presents the buildings at El Campillo—a rest and recreation spot [+]

Christ carrying the Cross
Oil on canvas. Ca. 1602
el Greco (Domenikos Theotokopoulos)
Christ carrying the Cross
Oil on canvas. Ca. 1602
el Greco (Domenikos Theotokopoulos)

A slightly more than half-length image of Jesus wearing a red tunic and blue robes. Holding the cross with both hands, he rests it on his left shoulder. His head is slightly raised and his watery eyes [+]

Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara
Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

Tityus in Chains
Oil on canvas. 1590 - 1596
Martínez, Gregorio
Tityus in Chains
Oil on canvas. 1590 - 1596
Martínez, Gregorio

The Giant Tityus was condemned to the punishment of having a vulture endlessly devour his entrails. Martínez was inspired by a composition by Michelangelo which in turn looked to the Hellenisti [+]

The Crucifixion
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)
The Crucifixion
Oil on canvas. 1597 - 1600
el Greco (Domenikos Theotokopoulos)

A night view of Calvary with a markedly Eucharistic character. Mary Magdalene, at Christ´s feet, and three angels collecting the blood of the slain Savior, appear framed by the figures of the Virgin a [+]

Portrait of a Lady of the Van Beijeren van Schagen Family (Theodora van Duvenvoorde?)
Oil on canvas. 1620
Mierevelt, Michiel Jansz. Van
Portrait of a Lady of the Van Beijeren van Schagen Family (Theodora van Duvenvoorde?)
Oil on canvas. 1620
Mierevelt, Michiel Jansz. Van

This painting belongs to the type of representative portrait developed by Mierevelt -restrained, highly detailed compositions focused on carefully reproducing faces and the garments that denote the si [+]

David with the Head of Goliath
Oil on canvas. Ca. 1600
Caravaggio (Michelangelo Merisi Da Caravaggio)
David with the Head of Goliath
Oil on canvas. Ca. 1600
Caravaggio (Michelangelo Merisi Da Caravaggio)

The Bible story (Samuel 1:17) depicted here corresponds to the moment when, as a young shepherd, David kills Goliath, the giant, with his sling and cuts off his head to triumphantly exhibit it. The ep [+]

Still life with basket of grapes and other fruits
Oil on canvas. 1624
Loarte, Alejandro de
Still life with basket of grapes and other fruits
Oil on canvas. 1624
Loarte, Alejandro de

This work is an important addition to the Museo del Prado’s collection, as it is signed by an artist from the area of Toledo who made very few paintings. Indeed, the museum has only one other signed s [+]

Port with Castle
Oil on copperplate. Ca. 1601
Bril, Paul
Port with Castle
Oil on copperplate. Ca. 1601
Bril, Paul

En un puerto, los habitantes de la aldea enclavada en el acantilado que cierra el espacio por la derecha están ocupados en diversas tareas: cargando y afianzando las mercancías en las barcazas anclada [+]

Pentecost
Oil on canvas. Ca. 1600
el Greco (Domenikos Theotokopoulos)
Pentecost
Oil on canvas. Ca. 1600
el Greco (Domenikos Theotokopoulos)

This work depicts the moment when the Holy Ghost, in the form of flames, rests on the Virgin and the Apostles on Pentecost day in Jerusalem, as is told in the book of Acts (2: 1-5). The bald, bearded [+]

Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous
Two allegorical figures, one holding a child in her arms
Pencil, Pencil ground, Grey wash, Grey-brown ink on yellow paper. Mid-XVIcentury
Anonymous

The former attribution to Parmigianino (1503-1540) is untenable. The style suggest knowledge of the work of both Pellegrino Tibaldi (1527-1596) and Samacchini (1532-1577). [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

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