Loading...
On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum’s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
[+]
As Pieter J. van Thiel suggests, this painting may be a copy made after an engraving by Jan Muller (1590) of Cornelisz. van Haarlem`s original Fortune bestowing her Favours, today at the Musée [+]
[+]
Es un fragmento de una composición mayor. Figuró en la colección del duque del Arco (1745 y 1794). En 1818 consta en el Palacio de Aranjuez, desde donde es enviado al Museo (Texto extractado de Posada [+]
[+]
[+]
[+]
The present work is a copy of the Portrait of a Seated Woman (Vienna, Kunsthistorisches Museum), which the authors of the Corpus consider to be a workshop product. Another known copy, this one on pane [+]
[+]
Se identifica al personaje como Alonso Martínez de Espinar (h.1594-1682), ayuda de cámara del príncipe Baltasar Carlos y del propio monarca, entre cuyos cometidos estaba el de acompañar a Felipe IV du [+]
This fragment -the support is cut on all four sides- is perhaps inspired by an engraving of Van Honthorst`s original The Denial of Saint Peter in Minneapolis, dated about 1620-25 (Posada Kubissa, T.: [+]
[+]
&imagen=https%3a%2f%2fcontent3.cdnprado.net%2fimagenes%2fDocumentos%2fimgsem%2f01%2f0195%2f01953e76-c364-459a-8b19-df489976e77f%2f417e5053-aade-43b4-bc17-4d11e12f50e2_268.jpg&idobra=01953e76-c364-459a-8b19-df489976e77f){kind=link}
