Loading...
On entering the Museum this painting was inventoried as a product of the Sevillian school, though the 1876 catalogue lists it as a work executed in the style of Jan Both. Valdivieso (1973) considers i [+]
[+]
[+]
This fragment -the support is cut on all four sides- is perhaps inspired by an engraving of Van Honthorst`s original The Denial of Saint Peter in Minneapolis, dated about 1620-25 (Posada Kubissa, T.: [+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
[+]
