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The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido
The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido

En el centro, la Virgen coronada por dos angelitos, rodeada por la corte celestial. Abajo, ángeles músicos en las esquinas. El tema, para el cual se conocen algunos dibujos, fue muy trabajado por Guid [+]

Forest with Carts crossing a Ford and Riders
Oil on panel. Ca. 1607
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Forest with Carts crossing a Ford and Riders
Oil on panel. Ca. 1607
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Este bosque responde a una de las tipologías que inicia Jan Brueghel el Viejo hacia 1605 y que desarrolla a lo largo de esa década. La obra representa un transitado sendero que atraviesa un bosque y l [+]

Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van
Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van

Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]

Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio
Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio

The subject of the angelic consolation of Saint Francis became popular in the second half of the sixteenth century as a result of the Catholic Church´s renewed appreciation of his mystical experiences [+]

Landscape with Saint Rosalia of Palermo
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Landscape with Saint Rosalia of Palermo
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

The painting entered the Museum as an original by Jan Both, and it is recorded as such in subsequent inventories and catalogues until the edition of 1976. Further, up until 1972 it is described in the [+]

The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y
The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y

In this painting, following His crucifixion and descent from the Cross, the body of Christ lies upon a white cloth. On His left is a beam of the cross bearing the sign that identifies Him as King of t [+]

Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This painting was intended to hang to the right of the Equestrian Portrait of Philip IV (P01178) and it depicts that monarch´s first wife, Elizabeth of Bourbon (1602-1644), whom he married in 1615. Th [+]

Still Life with Game, Vegetables and Fruit
Oil on canvas. 1602
Sánchez Cotán, Juan
Still Life with Game, Vegetables and Fruit
Oil on canvas. 1602
Sánchez Cotán, Juan

This still life shows the inside of a cupboard. On the shelf are a group of birds consisting of two serins, two goldfinches and two sparrows on a cane, as well as three carrots, two radishes, and a la [+]

Isabella of France, Queen of Spain
Oil on canvas. Ca. 1615
Pourbus el Joven, Frans
Isabella of France, Queen of Spain
Oil on canvas. Ca. 1615
Pourbus el Joven, Frans

Isabella of Bourbon (1602-1644), daughter of Henry IV of France and Marie de Medici, was married by proxy to the heir to the Spanish throne, the future Philip IV, in 1615. At the same time, her brothe [+]

Louis XIV of France
Oil on canvas. 1701
Rigaud, Hyacinthe
Louis XIV of France
Oil on canvas. 1701
Rigaud, Hyacinthe

The absolute protagonist of this canvas is the Sun King, who governed France from 1643 to 1715. He was only five years old when he took the throne after the death of his father, Louis XIII, but the ea [+]

The Sacrifice of Abraham
Oil on canvas. 1627 - 1628
Domenichino (Domenico Zampieri)
The Sacrifice of Abraham
Oil on canvas. 1627 - 1628
Domenichino (Domenico Zampieri)

God tested Abraham’s faith by ordering him to sacrifice his son Isaac. As he was about to carry this out, an angel held back his arm (Genesis 22: 1-19). Trained in the Academy of the Carracci in Bolog [+]

The Incredulity of Saint Thomas
Oil on canvas. 1641 - 1649
Stom, Matthias (Also Called Stomer)
The Incredulity of Saint Thomas
Oil on canvas. 1641 - 1649
Stom, Matthias (Also Called Stomer)

The subject of this painting is taken from the Gospels (John 20:24–28). The scene depicts the moment when Thomas, seeking proof of the Resurrection, places his fingers in the wound in Christ’s right s [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous (Copy After Parmigianino. Girolamo Francesco Maria Mazzola)

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Franco, Battista)
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Franco, Battista)

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio
Saint Luke painting the Virgin
Pencil, Pencil, Grey-brown ink, Wash on dark yellow paper. 1567 - 1572
Vasari, Giorgio

This is a preparatory drawing for Vasari´s fresco of St. Luke Painting the Virgin in the Cappella di San Luca in S. Annunziata, Florence. In 1560 the chapel, formerly the Cappella Benizzi, was granted [+]

Draped figure wearing a laurel crown
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carpi, Girolamo Da)
Draped figure wearing a laurel crown
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carpi, Girolamo Da)

Traditionally attributed to Parmigianino (1503-1540). In a note on the modern museum matte, J. A. Gere wrote copy after Girolamo da Carpi (1981).The style certainly points to that of Girolamo da Carpi [+]

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