The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
23 results
Half-lenght female figure, her hands raised up in prayer / half-length figure of a man, seen from the rear
Pencil, Red chalk, White chalk on yellow paper. Ca. 1600
Anonymous
Half-lenght female figure, her hands raised up in prayer / half-length figure of a man, seen from the rear
Pencil, Red chalk, White chalk on yellow paper. Ca. 1600
Anonymous

Formerly placed as by a follower of Andrea del Sarto. [+]

Male nude seen from the rear
Red chalk on paper. Ca. 1600
Anonymous
Male nude seen from the rear
Red chalk on paper. Ca. 1600
Anonymous

Although feeble in handling, this is typical of the finished studies from the live nude model that were made in Florence around 1600, often in red chalk. [+]

Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)
Frieze with Episodes from the Life of Mucius Scaevola
Pencil, Grey-brown ink, Wash on paper attached to canvas. Ca. 1600
Anonymous (Copy Polidoro Da Caravaggio)

The composition shows the following episodes from the first floor of the painted frieze on the facade of the Palazzo Ricci, Rome: Mucius Scaevola crossing the Tiber to take the Etruscan camp of King L [+]

Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous
Bearded man, three quarter lenght
Pencil, Grey-brown ink on paper. Ca. 1600
Anonymous

Formerly attributed to Bartolomeo Passerotti (1529-1592), presumably on account of the broad cross-hatching in pen, a technique that is characteristic of drawings by this artist. On the other hand, th [+]

Christ blessing a kneeling woman
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
Christ blessing a kneeling woman
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The old attribution is to Titian (c. 1485-1576). The style seems however to be either Emilian or Lombard, from the mid-to-late sixteenth century. [+]

Two angels
Red chalk on yellow paper. Ca. 1600
Anonymous
Two angels
Red chalk on yellow paper. Ca. 1600
Anonymous

Although traditionally attributed to Parmigianino (1503-1540), the style seems to suggest a later period, around 1600. The draftsman appears to have been acquainted with the work of Bartolomeo Cesi (1 [+]

Annunciation
Pencil, Mauve ink, Grey-brown ink, Grey-brown wash on yellow paper. Ca. 1600
Anonymous
Annunciation
Pencil, Mauve ink, Grey-brown ink, Grey-brown wash on yellow paper. Ca. 1600
Anonymous

The treatment of the composition reflects the work of the Florentines, Cigoli (1559-1613), Jacopo Chimenti da Empoli (1551-1640), Jacopo Vignali (1592-1664) and others. [+]

The Virgin crowned by angels
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
The Virgin crowned by angels
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The style of the drawing does indeed seem Emilian, but is more suggestive of that of artist working in the city from a later period, such as Cesi (1556-1629) and the young Guido Reni (1575-1642). [+]

Procession of the Magi
Pencil, Red chalk on paper. Ca. 1600
Anonymous (Copy Sarto, Andrea del (Andrea D'agnolo))
Procession of the Magi
Pencil, Red chalk on paper. Ca. 1600
Anonymous (Copy Sarto, Andrea del (Andrea D'agnolo))

From its style, the drawing appears to have been made by a Florentine artist active around 1600, perhaps from the circle of Jacopo Chimenti da Empoli (1551-1640) or Cigoli (1559-1613). Andrea del Sart [+]

Figures at a balcony
Pencil, Grey-brown ink, Wash on paper. Ca. 1600
Anonymous
Figures at a balcony
Pencil, Grey-brown ink, Wash on paper. Ca. 1600
Anonymous

This is a little reminiscent of the style of Giovanni Andrea Ansaldo (1584-1638). [+]

The Virgin and Child with Sts. Catherine, Agatha, Paul and a bishop saint
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
The Virgin and Child with Sts. Catherine, Agatha, Paul and a bishop saint
Pencil, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

The monotonous pen-work indicates this is a copy. The arrangement of the figures and the somber lighting suggest that the prototype may have been a composition by a late sixteenth-century Roman artist [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Ca. 1600
Anonymous

This good drawing appears to be by an artist active in the Veneto, or nearby, around 1600. Florian Härb has kindly pointed out some echoes of Palma Giovane´s figure types, for example in the head [+]

Angel in a pendentive
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1600
Anonymous
Angel in a pendentive
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1600
Anonymous

This fine drawing seems to show some Emilian traits of style. Alternatively, it may be Marchigian, around Lilio (c. 1570-1635). [+]

The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)
The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)

The composition of this drawing corresponds to the middle and lower sections of Tintoretto´s great canvas of The Worship of the Golden Calf, which hangs on the left-hand wall of the choir of the churc [+]

Christ the Saviour
White marble, Red marble. Ca. 1600
Anonymous
Christ the Saviour
White marble, Red marble. Ca. 1600
Anonymous

Busto de Cristo mayor que el natural, con la cabeza vuelta hacia la derecha del espectador y los ojos bajos. El rostro tiene forma oval, con labios muy finos, barba partida y cabello largo y rizado qu [+]

Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous
Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous

A vessel made up of three pieces of rock crystal and three enamelled gold mounts. The body is formed by a boat-shaped piece with a figurehead on the prow consisting of a mask with pointed ears and ram [+]

Case for Fluted goblet with a tall stem and rubies
Velvet, Metal, Leather, Wood. Ca. 1600
Anonymous
Case for Fluted goblet with a tall stem and rubies
Velvet, Metal, Leather, Wood. Ca. 1600
Anonymous

This case takes the form of the vessel for which it was made, a Fluted goblet with a tall stem and rubies (O20). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made ca [+]

Case for jasper helmet-shaped ewer
Metal, Cloth, Leather, Wood. Ca. 1600
Anonymous
Case for jasper helmet-shaped ewer
Metal, Cloth, Leather, Wood. Ca. 1600
Anonymous

This case takes the form of the vessel for which it was made, a Jasper helmet-shaped ewer (O18). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases that match t [+]

Up