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Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan
Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan

This painting entered the Museum as an original work by Jan Both, attribution that has been maintained in the catalogues until the present day. In 1973 Valdivieso identifies it as the picture listed i [+]

Landscape with Fishermen and Shepherds on a Riverbank
Oil on canvas. 1639 - 1641
Both, Jan
Landscape with Fishermen and Shepherds on a Riverbank
Oil on canvas. 1639 - 1641
Both, Jan

The present painting entered the Museum as an original work by Jan Both. This attribution is maintained in subsequent catalogues and accepted by all authors. This landscape is an exception among those [+]

Saint Simon
Oil on panel. 1610 - 1612
Rubens, Peter Paul
Saint Simon
Oil on panel. 1610 - 1612
Rubens, Peter Paul

This is one of a series of twelve panels (P01646, P01647, P01648, P01649, P01650, P01651, P01652, P01653, P01654, P01655, P01656, P01657) that make up an apostolate that originally included a Savior o [+]

Still Life with fish, a candle, artichokes, crab and prawns
Oil on panel. 1611
Peeters, Clara
Still Life with fish, a candle, artichokes, crab and prawns
Oil on panel. 1611
Peeters, Clara

On what appears to be a wooden table or ledge we see boiled crabs and shrimp, several freshwater fish (two carp, a roach, possibly several ide, and a northern pike), a dark glass goblet, a brass candl [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
Saint Dominic of Guzmán
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Forest with Carts crossing a Ford and Riders
Oil on panel. Ca. 1607
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Forest with Carts crossing a Ford and Riders
Oil on panel. Ca. 1607
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Este bosque responde a una de las tipologías que inicia Jan Brueghel el Viejo hacia 1605 y que desarrolla a lo largo de esa década. La obra representa un transitado sendero que atraviesa un bosque y l [+]

Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Adoration of the Magi
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Magi
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Mule Train and Gypsies in a Forest
Oil on copperplate. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Mule Train and Gypsies in a Forest
Oil on copperplate. 1612
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

A group of travelers stop to rest, sitting together in the road. One of them speaks to a muleskinner, who leads a caravan of loaded mules. A very broad landscape unfolds on the left. In this painting, [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
el Greco (Domenikos Theotokopoulos)
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
el Greco (Domenikos Theotokopoulos)

This night scene is set in a narrow, irregular space -a sort of grotto with a gabled opening in the back, consisting of two semi-circular arches. Mary holds her newborn Son, naked on her lap, while Sa [+]

The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Resurrection
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Taking the Cattle out
Oil on canvas. 1639 - 1641
Both, Jan
Taking the Cattle out
Oil on canvas. 1639 - 1641
Both, Jan

This painting entered the Museum`s holdings as an original work by Jan Both, an attribution that has been maintained in subsequent catalogues and accepted without question by specialists. On the basis [+]

Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio
Saint Francis supported by an Angel
Oil on canvas. Ca. 1607
Gentileschi, Orazio

The subject of the angelic consolation of Saint Francis became popular in the second half of the sixteenth century as a result of the Catholic Church´s renewed appreciation of his mystical experiences [+]

The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente
The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente

This painting depicts the battle of Fleurus, near Brussels, which pitted troops from the Catholic League commanded by General Gonzalo Fernández de Córdoba against Protestant Union soldie [+]

Mountain Pass
Oil on canvas. 1639 - 1641
Both, Jan
Mountain Pass
Oil on canvas. 1639 - 1641
Both, Jan

The painting entered the Museum as an original work by Jan Both, an attribution that has been maintained in subsequent catalogues and which is also supported by Valdivieso (1973) and Barghahn (1986). [+]

Crossing the Pass
Oil on canvas. 1639 - 1641
Both, Jan
Crossing the Pass
Oil on canvas. 1639 - 1641
Both, Jan

The present painting may be considered a companion piece to the previous work on account of its format, size, compositional scheme and subject matter. It entered the Museum`s holdings as an original w [+]

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