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Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous
Landscape with Hunters
Oil on canvas. Early XVII century
Anonymous

[+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Adam and Eve
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villamena, though it lacks and old inscription giving it to him. There is perhaps some influence of Federico Zuccaro (1540/41-1609), detectable in the figure of Adam, as [+]

St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
St. Margaret
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

In spite of the traditional attribution to Lorenzo Sabbatini (ca. 1530-1576), this drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Five figures contemplating an effigy of one of them
Pencil, Grey-brown ink, White lead, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

God the Father, with the dove of the Trinity, appearing to the Virgin and Child, St. Anne, St. Jerome, and St. Andrew (?)
Pencil, Grey-brown ink, White lead, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
God the Father, with the dove of the Trinity, appearing to the Virgin and Child, St. Anne, St. Jerome, and St. Andrew (?)
Pencil, Grey-brown ink, White lead, Wash on brown paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

Traditionally attributed to Palma Giovane. This seems however to be a feeble copy, perhaps based on a composition by the master, or a member of his studio. [+]

The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Holy Family seated in an interior
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

On the verso are extensive notes about the Flemish sculptor Pietro Francavilla (1548-1615). Francavilla received his early training in Paris and Innsbruck. Archduke Ferdinand of Austria provided him w [+]

Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

A man and a woman seated within a threfoil, each holding an open book in their lap
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
A man and a woman seated within a threfoil, each holding an open book in their lap
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

[+]

Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous
Ecce Homo
Pencil, Ink on dark yellow paper. Early XVII century
Anonymous

En el anverso se la hoja se representa un Ecce Homo de pie, casi de perfil, inclinado a la derecha. De comienzos de siglo y de nada fácil emplazamiento estilístico. Pegado en otro papel con fragmento [+]

Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
The Judgement of Paris
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous
The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous

La Inmaculada se representa de frente, con las manos unidas, con la cabeza levemente alzada e inclinada a la izquierda.De comienzos de siglo XVII, quizás andaluza. (Texto extractado de Pérez Sánchez, [+]

The Birth of the Virgin
Pencil, Grey-brown ink on paper. XVI century
Anonymous
The Birth of the Virgin
Pencil, Grey-brown ink on paper. XVI century
Anonymous

This seems a good drawing by a competent hand. While there are some hints of the work of the two sienese artist, Andrea Casolani (1522/23-1608) and Astolfo Petrazzi (1579-1665), other aspects of the d [+]

Lot and his daughters
Pencil, Grey ink, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))
Lot and his daughters
Pencil, Grey ink, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Young Palma (Jacopo Negretti))

On Brun´s (?) mount, with his attribution: J. PALMA. There are slight feeblenesses in the drawing, which might suggest that this is by a member of the artist´s studio. [+]

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