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Isabella of Bourbon (1602-1644), daughter of Henry IV of France and Marie de Medici, was married by proxy to the heir to the Spanish throne, the future Philip IV, in 1615. At the same time, her brothe [+]
This scene depicts the moment just prior to Christ’s flagellation when his hands are tied behind his back, revealing his finely painted body. The most restrained of Crespi’s depictions of this episode [+]
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An elaborate garland of flowers, fruit and animals frames a painting representing the Virgin Mary with the Christ Chile on her right arm and a crown of flowers in her left hand. Paintings of the Virgi [+]
This fragment -the support is cut on all four sides- is perhaps inspired by an engraving of Van Honthorst`s original The Denial of Saint Peter in Minneapolis, dated about 1620-25 (Posada Kubissa, T.: [+]
This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hen [+]
The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]
This painting has been related to a series of compositions on the theme of martyrs which Juan de Roelas, an artist of Flemish origin, executed with his studio for the monastery of the Merced in Sevill [+]
This painting is illustrative of the beach scenes monopolised in Utrecht by the Willaerts family, who combined the two typical genres of Dutch painting in their work: seascapes and genre scenes. They [+]
Like the Portrait of a Lady of the Van Beijeren van Schagen Family (P2976), this portrait is a representative example of Mierevelt`s work in this genre. The support is also constructed in the same way [+]
This work and its companion (P4158) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]
A tooth extractor has laid out all his surgical instruments on a table, with numerous figures looking on, in a scene that is depicted with astonishing fidelity by the painter, a follower of Caravaggio [+]
This painting belongs to the type of representative portrait developed by Mierevelt -restrained, highly detailed compositions focused on carefully reproducing faces and the garments that denote the si [+]
As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]
Representation of San Marcos and San Lucas, which, subject and size , it must be part of an altarpiece predella. Along with San Mateo y san Juan Evangelista (P-1065), they depict the four Evangelists [+]
This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]
Juan van der Hamen y León´s output alternates between compositionally complex still lifes and works that are smaller in size and constructed more simply, such as this canvas. It depicts a pewte [+]
This painting is both beautiful in appearance and enigmatic on account of its problems of attribution, its authorship having fluctuated between several artists, all belonging to the aesthetic environm [+]
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