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Isabella of Bourbon (1602-1644), daughter of Henry IV of France and Marie de Medici, was married by proxy to the heir to the Spanish throne, the future Philip IV, in 1615. At the same time, her brothe [+]
This fragment -the support is cut on all four sides- is perhaps inspired by an engraving of Van Honthorst`s original The Denial of Saint Peter in Minneapolis, dated about 1620-25 (Posada Kubissa, T.: [+]
This scene depicts the moment just prior to Christ’s flagellation when his hands are tied behind his back, revealing his finely painted body. The most restrained of Crespi’s depictions of this episode [+]
The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]
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This painting entered the Museum as an original by Jacob Isaaksz. van Ruisdael (1628-1682), an attribution that remained in the catalogue until 1972. Valdivieso (1973) believed it to be connected with [+]
An elaborate garland of flowers, fruit and animals frames a painting representing the Virgin Mary with the Christ Chile on her right arm and a crown of flowers in her left hand. Paintings of the Virgi [+]
This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]
In this painting, two men wearing tunics kneel next to a rocky crag, past which, in the distance, a stormy landscape opens up. The elder of the two men bends over a sheaf of papers on which he writes, [+]
This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hen [+]
The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]
This painting has been related to a series of compositions on the theme of martyrs which Juan de Roelas, an artist of Flemish origin, executed with his studio for the monastery of the Merced in Sevill [+]
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The scene depicts a battle waged off the coast between two Dutch and two English ships. Several people watch from the small rocks in the immediate foreground. The scene is framed on the right by a cli [+]
Like the Portrait of a Lady of the Van Beijeren van Schagen Family (P2976), this portrait is a representative example of Mierevelt`s work in this genre. The support is also constructed in the same way [+]
This work and its companion (P4158) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]
A tooth extractor has laid out all his surgical instruments on a table, with numerous figures looking on, in a scene that is depicted with astonishing fidelity by the painter, a follower of Caravaggio [+]
Francesco Albani was a much favoured pupil of Annibale Carracci. His success was partially due to mythological paintings such as The toilet of Venus (P1) and The judgement of Paris (P2), whose refined [+]
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