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The Triumph of the Eucharist over Idolatry
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Triumph of the Eucharist over Idolatry
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

The Victory of Truth over Heresy
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Victory of Truth over Heresy
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul
Nymphs and Satyrs
Oil on canvas. Ca. 1615
Rubens, Peter Paul

In this picture, the setting epitomises the classical concept of a Locus amoenus ("pleasant place") which developed from the time of Homer and referred to an ideal place for sensual being, with flowin [+]

The Triumph of Divine Love
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Triumph of Divine Love
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

Archduke Alberto de Austria
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Archduke Alberto de Austria
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Alberto de Austria, the sovereign prince of the Low Countries, is dressed in black and sits under a canopy indicating that this is a court portrait. Unlike the customary indoor portraits, this one is [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

The Vision of Saint Hubert
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Vision of Saint Hubert
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Legend has it that Saint Hubert encountered a magnificent buck while hunting. When he tried to kill the animal, he saw a cross appear between the animal´s antlers. That is when he took the Christian f [+]

The Triumph of the Church
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Triumph of the Church
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Jan Brueghel’s compositions with garlands surrounding holy figures were a reaction against Protestant ideas that refuted the cult of images. In the centre of the composition is a painted image of the [+]

The Holy Family with Saint Anne
Oil on canvas. Ca. 1630
Rubens, Peter Paul
The Holy Family with Saint Anne
Oil on canvas. Ca. 1630
Rubens, Peter Paul

Peter Paul Rubens, the Flemish Baroque artist, was also a humanist scholar, art collector, and diplomat. In 1628, Rubens went to Madrid to meet with Philip IV, King of Spain (1621-1665), as part of hi [+]

The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Like the portrait of her husband (P01683), Isabel Clara Eugenia, ruler of the Low Countries, is depicted sitting under a red canopy on a balcony open to landscape. In this case, the palace visible in [+]

The Christ Child, Saint John and the Lamb
Oil on panel. 1618 - 1620
Rubens, Peter Paul; Dyck, Anthony Van
The Christ Child, Saint John and the Lamb
Oil on panel. 1618 - 1620
Rubens, Peter Paul; Dyck, Anthony Van

Saint John is depicted with his customary symbols, a cross with a ribbon bearing the motto “Lamb of God”. Indeed, there is a lamb beside him, which the Christ Child tenderly pets. The fountain on the [+]

The Defenders of the Eucharist
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Defenders of the Eucharist
Oil on panel. Ca. 1625
Rubens, Peter Paul

This panel depicts seven saints who worked to safeguard and promote the Eucharist. On the left are Saint Ambrose, Saint Augustine and Saint Gregory the Great. In the centre is Saint Clare of Assisi, w [+]

The Meeting of Abraham and Melchizedek
Oil on panel. Ca. 1625
Rubens, Peter Paul
The Meeting of Abraham and Melchizedek
Oil on panel. Ca. 1625
Rubens, Peter Paul

In 1625, Archduchess Isabel Clara Eugenia commissioned Rubens to design a series of twenty tapestries for the Monastery of the Descalzas Reales in Madrid. The subject was the Eucharist, a leading Cath [+]

Act of Devotion by Rudolf I of Habsburg
Oil on canvas. Ca. 1625
Rubens, Peter Paul; Wildens, Jan
Act of Devotion by Rudolf I of Habsburg
Oil on canvas. Ca. 1625
Rubens, Peter Paul; Wildens, Jan

This work depicts an episode from the life of Rodolfo I (1218-1291), founder of the Hapsburg Dynasty. While hunting with his page, Regulo de Kyburg, Rodolfo met a priest and a sexton who were taking t [+]

The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul
The Birth of Apollo and Diana
Ink, White lead, Wash on laid paper. Ca. 1625
Rubens, Peter Paul

Held by two young maids, Leto gives birth to Diana and Apollo before a temple portico. She is surrounded by women and children who help her bear the pain. A second group of children in the foreground [+]

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