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Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]
Nothing is known of this middle-aged gentleman with his black doublet and cloak, against which the wide, segmented ruff or gola and the delicate white cuff at his right wrist stand out. At his waist a [+]
The pragmatic of January 1623 that dictated a new dress code and has since been used to date what is thought to be the portrait of Pacheco can also be used as a guide for the present work, as the mode [+]
Representación del sitio de Breda, que tuvo lugar entre el 12 de septiembre de 1624 y el 2 de junio de 1625. En primer plano aparece la visita de la infanta gobernadora al campo de batalla tras la vic [+]
This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]
During the years he spent in Rome, Van Poelenburch began painting scenes of this kind with small-or medium-sized figures, in which the presence of ruins is so powerful that they could almost be said t [+]
As goddess of the Earth and agriculture, Ceres is depicted wearing a bundle of wheat spikes on her head. Beside her, Pan, the god of shepherds and herds, has a crown of oak leaves. Ceres symbolizes cu [+]
The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen [+]
This mythological scene is drawn from the Metamorphoses of Roman poet Publio Ovidio Nason, one of the texts on ancient mythology that had the greatest intellectual impact on 17th-century Flemish artis [+]
This painting entered the holdings of the Museo del Prado as an anonymous Flemish work, although the 1873 catalogue reports the attribution to the Le Nain brothers proposed by M. de Chennevière [+]
The artist chose the end of a wedding banquet in the country to offer a depiction of rural life during one its most collective moments. Some figures are shown inebriated, others are dancing, kissing a [+]
Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]
Goddess of grains and the harvest, Ceres holds some corn cobs in her right hand while, with the left, she holds a horn of plenty. Two nymphs fill the cornucopia with fruits, symbolizing the Earth´s ge [+]
Until 1956, this painting was attributed to Pietro da Cortona, an understandable mistake, given how close Romanelli’s style was to that of his teacher. In fact, it appears as such in Charles II’s will [+]
This canvas and its companion, Taste, Hearing and Touch (P1404), represent the five senses embodied by female figures in palatial interiors. The sense of smell is conveyed by a woman holding flowers, [+]
The father of the race of centaurs, Ixion was punished by madness for murdering his father-in-law. After he was pardoned he attempted to supplant Jupiter in Juno’s bed and was consequently condemned t [+]
Wearing black, with a broad, Spanish-style ruff collar and a three-strand necklace that she grasps in her right hand, this lady is presented to the viewer as serene and haughty. The influence of Antho [+]
The dinner guests occupying the center of the composition symbolize the senses. Music and the singing children are hearing, and the young woman petting a mink is touch. The young woman preparing to ea [+]
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