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Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans
Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans

This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]

Aerial View of the Siege of Breda
Oil on canvas. First half of the XVII century
Snayers, Peter
Aerial View of the Siege of Breda
Oil on canvas. First half of the XVII century
Snayers, Peter

The plaza occupies the center of the image, surrounded by the fortifications and the camp. Amprosio Spínola appears in a carriage alongside a group of riders and footmen in the right foreground [+]

Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe
Still Life with Cardoon, Francolin, Grapes and Irises
Oil on canvas. 1628
Ramírez, Felipe

Because this work is signed and dated, it reveals the existence of a painter by the name of Felipe Ramírez, although art historians know virtually nothing else about him. This lovely example of [+]

Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y

This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]

Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van
Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van

Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]

The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y
The Spinners, or the Fable of Arachne
Oil on canvas. 1655 - 1660
Velázquez, Diego Rodríguez de Silva y

This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]

Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan
Saint Sebastian
Oil on canvas. 1656
Carreño de Miranda, Juan

Today, Juan Carreño, who was appointed Chamber Painter to the King in 1671, is best remembered for his portraits from the court of Charles II, but, in fact, most of his paintings are devotional [+]

The Concert
Oil on panel. Ca. 1875
Palmaroli y González, Vicente
The Concert
Oil on panel. Ca. 1875
Palmaroli y González, Vicente

An enormously versatile painter, Palmaroli also produced the small-format paintings known as tableautins popular with collectors at this period. Following Fortuny, his numerous genre scenes deploy a b [+]

Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul
Philip II on Horseback
Oil on canvas. 1629 - 1640
Rubens, Peter Paul

A posthumous portrait of Felipe II wearing full body armor, a cape and a hat and riding a horse. Victory crowns him with laurels. The background alludes to a battle, probably that of San Quentí [+]

Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter
Petronella de Waert
Oil on canvas. 1670
Borch II, Gerard Ter

This painting formed part of the collection of the Marquis of Castro-Serna (Madrid) where, according to Michel (1887) -who repeats information given by Alfonso de Stuers- it appeared in 1887 as a pend [+]

The crucified Christ appears to Saint Teresa
Oil on canvas. 1629
Cano, Alonso
The crucified Christ appears to Saint Teresa
Oil on canvas. 1629
Cano, Alonso

This scene is based on Las moradas [The mansions] (1588), the text by the Saint in which she describes her “spiritual marriage” to Christ. Like its pair (P-8152), this canvas was part of the altarpiec [+]

Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas
Bacchic Scene
Oil on canvas. 1626 - 1628
Poussin, Nicolas

In a lush, wooded landscape on the banks of a quiet river, a nude woman, sitting on a richly colored red cloak, gestures to two male figures posed beside her. Supporting a glazed jug in her lap, she p [+]

Landscape with a flock of sheep
Oil on canvas. 1870 - 1878
Martí Alsina, Ramón
Landscape with a flock of sheep
Oil on canvas. 1870 - 1878
Martí Alsina, Ramón

Ramón Martí Alsina trained as an artist within the spirit of Romanticism. However, after several visits to Paris from 1855 onwards, he came into contact with French realist painting and [+]

Saint Matthew and Saint John the Evangelist
Oil on canvas. Ca. 1625
Ribalta, Juan
Saint Matthew and Saint John the Evangelist
Oil on canvas. Ca. 1625
Ribalta, Juan

In this painting, two men wearing tunics kneel next to a rocky crag, past which, in the distance, a stormy landscape opens up. The elder of the two men bends over a sheaf of papers on which he writes, [+]

The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]

Unknown Lady
Oil on canvas. Ca. 1628
Dyck, Anthony Van
Unknown Lady
Oil on canvas. Ca. 1628
Dyck, Anthony Van

Wearing black, with a broad, Spanish-style ruff collar and a three-strand necklace that she grasps in her right hand, this lady is presented to the viewer as serene and haughty. The influence of Antho [+]

Saint Bruno Bids Farewell to Saint Hugo
Oil on canvas. 1628
Carducho, Vicente
Saint Bruno Bids Farewell to Saint Hugo
Oil on canvas. 1628
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Portrait of a Man
Oil on canvas. 1628 - 1632
Dyck, Anthony Van
Portrait of a Man
Oil on canvas. 1628 - 1632
Dyck, Anthony Van

This more than half-length portrait of a man with a slit suit, a cape on his shoulder and a lace collar presents him in proud fashion, ostensibly with the sword that defines him as a nobleman. He was [+]

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