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Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Attributed to Palma Il Giovane (ca. 1548-1628), the drawing has little or nothing to do with this author, although in Turner´s opinion, there are several stylistic features that evoke Boscoli&ac [+]

Venus
Marble. 80 - 90
Anonymous; Roman Sculptor
Venus
Marble. 80 - 90
Anonymous; Roman Sculptor

Originally in the collection of the 7th Marquis del Carpio, Spanish Ambassador in Rome (1676-82) and Viceroy of Naples (1682-87), this sculpture consists of a nude, Greco-Roman torso with some survivi [+]

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