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Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans
Still Life with a Maid
Oil on canvas. Ca. 1633
Snyders, Frans

This opulent still-life scene typical of the Baroque Flemish school includes a human figure and two animals, as was common in the period, in accordance with the tastes of the clients, whose wealth and [+]

Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan
Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan

This painting entered the Museum as an original work by Jan Both, attribution that has been maintained in the catalogues until the present day. In 1973 Valdivieso identifies it as the picture listed i [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

The Recovery of Saint Kitts Island
Oil on canvas. 1634
Castello, Félix
The Recovery of Saint Kitts Island
Oil on canvas. 1634
Castello, Félix

Saint Kitts, Nevis and Sint Eustatius, are Leeward Islands in the Lesser Antilles. After their occupation by the French and English in 1627, they became home bases for pirates. The Spanish expedition [+]

Still Life with Vase of Flowers and a Puppy
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der
Still Life with Vase of Flowers and a Puppy
Oil on canvas. Ca. 1625
Hamen y León, Juan Van Der

This work and its companion (P6413) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]

Cavalry Combat
Oil on canvas. 1650 - 1655
Wouwerman, Philips
Cavalry Combat
Oil on canvas. 1650 - 1655
Wouwerman, Philips

The main scene occupies the foreground, though it is no longer set in the plane closest to the viewer as in the previous period, but slightly further back. As a result, the figures are smaller in size [+]

Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Saint Joseph holds a flowered staff. He is accompanied by the Christ Child, who offers him a basket with carpentry tools, alluding to the saint´s profession. The worship of Saint Joseph was espe [+]

The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 161 [+]

Samson and the Philistines
Oil on canvas. Ca. 1625
Procaccini, Giulio Cesare
Samson and the Philistines
Oil on canvas. Ca. 1625
Procaccini, Giulio Cesare

Samson freed himself from his chains and killed a thousand Philistines, enemies of the Israelites, using only the jawbone of an ass (Judges 15:15). Giulio Cesare was the son of the painter Ercole Proc [+]

Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de
Cats fighting in a Larder
Oil on canvas. 1630 - 1640
Vos, Paul de

With the owners or house servants away, the animals sneak into the larder, giving free rein to their instincts. This leads to a fight. Scenes of animal fights in domestic settings were customary in mi [+]

Saint Judas Thaddaeus
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint Judas Thaddaeus
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

Saint Andrew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Andrew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

Landscape with Mercury and Herse
Oil on panel. Ca. 1635
Francken II, Frans; Wildens, Jan
Landscape with Mercury and Herse
Oil on panel. Ca. 1635
Francken II, Frans; Wildens, Jan

In The Metamorphosis, the poet Ovid very precisely describes the moment when Mercury, on his way to Athens, met a group of Nymphs carrying offerings to the goddess Palas. Mercury immediately fell in l [+]

Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea
Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea

Lupercalia was a festival involving sacrifices to the two deities associated, respectively, with fecundity and childbirth: Pan and Lucina. As part of the celebrations, the men whipped their wives to m [+]

Colossal Head
Oil on canvas. Ca. 1635
Carducho, Vicente (Attributed To)
Colossal Head
Oil on canvas. Ca. 1635
Carducho, Vicente (Attributed To)

This colossal head may be that of a giant, a figure taken from classical mythology in which such characters are described as being rough and primitive beings, possessed of remarkable strength and terr [+]

Diana and Callisto
Oil on canvas. Ca. 1635
Rubens, Peter Paul
Diana and Callisto
Oil on canvas. Ca. 1635
Rubens, Peter Paul

The Roman poet Ovid, in his book Metamorphosis (III, 401-532), tells the story of Diana and the nymph Callisto. Zeus was attracted to the nymph and took the form of Diana to seduce and rape her. Diana [+]

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