Loading...
The painting entered the Museum holdings as an original work by Jan Both. In 1959 Blunt identifies it as the landscape listed in the 1701 inventory of the Palace of the Buen Retiro and maintains the a [+]
[+]
The painting entered the Museum`s holdings as a work of the school of Jan Both, but it is listed as an original by the painter in the 1843 catalogue. In 1973 Valdivieso identifies it as one of the lan [+]
Reni’s contemporaries recognised his remarkable ability to depict the worn appearance of old age, contrasting with the youthful beauty of his female images. Saint Peter and Saint Paul (P00220) were in [+]
Although the painting entered the Museum as a copy of a work by Jan Both, it is recorded as an anonymous work by the Flemish school from the 1843 catalogue onwards. It is listed as such by Díaz [+]
Desfile, por la plaza de Bruselas, de los gremios de la ciudad, con sus insignias y gran número de cofrades; desde galerías y balcones presencian la comitiva numerosos espectadores. El fondo es la Gra [+]
This is the largest of the paintings that Lemaire, a French artist working in Rome, produced for the decoration of the Buen Retiro Palace in Madrid. The architectural ruins and sculptural fragments ar [+]
[+]
Aesop and Menippus are first listed in the inventory of the Torre de la Parada between 1701 and 1703. Among other works, this hunting lodge had a vast cycle of mythological paintings made by Rubens an [+]
The painting entered the Museum as an original work by Herman van Swanevelt. This attribution is maintained in later catalogues and accepted by all authors. In early Museum catalogues the work is desc [+]
En el Inventario general de los cuadros de la Trinidad existentes en el depósito y escogidos por la Comisión de la Academia aparecen dos cuadros con la representación de san Juan Bautista. Dado que el [+]
This work was one of a large group of landscapes commissioned in Rome by agents of Philip IV to decorate the new Buen Retiro Palace in Madrid. Others artists involved included Claude Lorraine and Pous [+]
This canvas and its companion, Taste, Hearing and Touch (P1404), represent the five senses embodied by female figures in palatial interiors. The sense of smell is conveyed by a woman holding flowers, [+]
This splendid painting, which came from the Buen Retiro Palace, Madrid (where it was cited in a 1794 inventory), was until recently attributed to Giovanni Battista Ruoppolo (1626-1693), based on the h [+]
Although this painting bears a curious apocryphal signature in large letters at the lower left corner of the canvas, Pérez Sanchez (1983) attributed it to Victoria in 1983 on the basis of its V [+]
Isabel Clara Eugenia (1566-1633), King Philip II’s mostbeloved daughter, boasts fine robes and an “upper-crust” and highly-fashionable coiffure. She is standing, with just over half her body visible, [+]
Nicolas Poussin has a curious relation to the Buen Retiro Palace. Úbea considers him the determinant artist among all those who took part in its decorative project. That could explain why he wa [+]
This canvas depicts the liberation of the city of Brisach on October 16, 1633, following its besiegement by the Protestant Count of the Rheingau, Otto Ludwig von Salms. Its liberation marked the culmi [+]
&imagen=https%3a%2f%2fcontent3.cdnprado.net%2fimagenes%2fDocumentos%2fimgsem%2f0f%2f0f5c%2f0f5c2da9-46f1-4c0c-81c6-577970317a51%2f7360ca6a-cde1-42f3-8a74-14fc6e707a71_268.jpg&idobra=0f5c2da9-46f1-4c0c-81c6-577970317a51){kind=link}
