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Mountain Landscape with Hut and Vegetables
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Mountain Landscape with Hut and Vegetables
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

The painting entered the Museum`s holdings as a work of the school of Jan Both, but it is listed as an original by the painter in the 1843 catalogue. In 1973 Valdivieso identifies it as one of the lan [+]

The ascension of Saint Gennaro
Oil on canvas. 1635
Vaccaro, Andrea
The ascension of Saint Gennaro
Oil on canvas. 1635
Vaccaro, Andrea

Bishop Gennaro (or Januarius) is the patron saint of Naples, and thus the subject of numerous works from that city’s rich school of painting. According to tradition, he was bishop of Benevento during [+]

View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]

Still Life with Grapes and Apples
Oil on canvas. Ca. 1640
Espinosa, Juan de
Still Life with Grapes and Apples
Oil on canvas. Ca. 1640
Espinosa, Juan de

[+]

Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1635 - 1650
Zurbarán, Francisco de
Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1635 - 1650
Zurbarán, Francisco de

[+]

Saint Francis Xavier in a Garland
Oil on canvas. 1635 - 1651
Seghers, Daniel
Saint Francis Xavier in a Garland
Oil on canvas. 1635 - 1651
Seghers, Daniel

[+]

Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa
The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa

This canvas is one of a series of scenes from the life of Saint John the Baptist commissioned in Naples from Artemisa Gentileschi, Massimo Stanzione and Paolo Finoglia. They were painted for the chape [+]

Funeral Rites for a Roman Emperor
Oil on canvas. Ca. 1636
Lanfranco, Giovanni Di Stefano
Funeral Rites for a Roman Emperor
Oil on canvas. Ca. 1636
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); Scene of Tri [+]

Still Life with Fruit
Oil on canvas. Ca. 1640
Cerquozzi, Michelangelo
Still Life with Fruit
Oil on canvas. Ca. 1640
Cerquozzi, Michelangelo

The depiction of fruit was one of the specialities of this versatile Roman artist, who also painted battle scenes -his most appreciated works in his own lifetime- genre scenes and leafy orchard garden [+]

The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul
The Holy Family surrounded by Saints
Oil on panel. Ca. 1630
Rubens, Peter Paul

The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen [+]

Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y

In 1624, soon after Velázquez`s arrival at court, the political writer Almansa noted that the equestrian order was and is the backbone of republics. This notion was shared by the Spanish monarc [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Pablo de Valladolid
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Pablo de Valladolid
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

There were two categories of royal jesters: those whose attractiveness was based on their physical or mental limitations, and those who, lacking any such handicap, entertained with their personality o [+]

Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y
Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y

Along with Philip IV and Velázquez, the third name intimately associated with the Buen Retiro Palace is Gaspar de Guzmán, Count-Duke of Olivares (1587-1645). When Philip IV took the thro [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz
The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz

This is one of the few winter scenes painted by Hendrick Dubbels still preserved today. In the Museum`s catalogues it is described as a scene with skaters, although only three of the many characters d [+]

Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

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