The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
131 results
Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, José de
Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, José de

The thin naked torso, the cloth made from rushes, the skull and the book suggest that the figure in the painting is a hermit; the bread crust in the foreground tells us that it is Saint Paul, the firs [+]

The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

Saint Paul
Oil on canvas. 1630 - 1635
Ribera, José de
Saint Paul
Oil on canvas. 1630 - 1635
Ribera, José de

Durante la Contrarreforma se hicieron bastante populares las series de Apóstoles que generalmente los representan de medio cuerpo, sobre fondo neutro y portando sus atributos iconográficos. Constituía [+]

The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello
The Concert
Oil on canvas. Ca. 1640
Falcone, Aniello

Falcone painted the figures in this painting; the Neapolitan specialist Luca Forte probably painted the vase of flowers on the left. It looks like a portrait gallery of real people, one of whom -the b [+]

Roman Athletes
Oil on canvas. Ca. 1640
Falcone, Aniello
Roman Athletes
Oil on canvas. Ca. 1640
Falcone, Aniello

This work belongs to a group from the History of Rome series for the Buen Retiro Palace. Dedicated to depictions of Roman public pastimes, the group includes athletes, gladiators, chariots, animal fig [+]

Jacob's journey
Oil on canvas. 1635 - 1665
Lione, Andrea Di
Jacob's journey
Oil on canvas. 1635 - 1665
Lione, Andrea Di

Like many other works by Andrea di Lione, Jacob’s journey, c.1635-65, was previously attributed to Genoese painter Giovanni Benedetto Castiglione (Il Grechetto). It is one of the most successful lands [+]

Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, José de
Saint Joseph and the Christ Child
Oil on canvas. 1630 - 1635
Ribera, José de

Saint Joseph holds a flowered staff. He is accompanied by the Christ Child, who offers him a basket with carpentry tools, alluding to the saint´s profession. The worship of Saint Joseph was espe [+]

Saint Francis Xavier in a Garland
Oil on canvas. 1635 - 1651
Seghers, Daniel
Saint Francis Xavier in a Garland
Oil on canvas. 1635 - 1651
Seghers, Daniel

[+]

Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Pieter Paul
Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Pieter Paul

Felipe III´s favorite, Francisco de Sandoval y Rojas, Marquis of Denia and First Duke of Lerma is shown as chief of the Spanish Armies. Wearing half armor, he rides a white steed and carries a r [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

Portrait of a Man
Oil on panel . Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel . Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

Emblem of Death
Oil on panel . 1635 - 1640
Steenwijck, Pieter
Emblem of Death
Oil on panel . 1635 - 1640
Steenwijck, Pieter

Steenwijck brings to the vanitas a genre in which he specialised, according to the surviving inventories -the compositional structure, scheme, colour range and lighting characteristic of the so-called [+]

Christ the Saviour
Oil on canvas. Ca. 1630
Ribera, José de
Christ the Saviour
Oil on canvas. Ca. 1630
Ribera, José de

Series of apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

El Niño de Vallecas
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y
El Niño de Vallecas
Oil on canvas. 1635 - 1645
Velázquez, Diego Rodríguez de Silva y

In the foreground of this canvas, a figure dressed in green holds in his hands what appears to be a pack of cards and looks directly at the viewer, as if to invite us to participate in the game. He is [+]

Prince Baltasar Carlos on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

In 1624, soon after Velázquez`s arrival at court, the political writer Almansa noted that the equestrian order was and is the backbone of republics. This notion was shared by the Spanish monarc [+]

Figure of a Woman
Oil on canvas. 1636
Ribera, José de
Figure of a Woman
Oil on canvas. 1636
Ribera, José de

This work is a fragment of a painting that showed the visit of the god of wine to mortals, as is Detail of the Head of Bacchus (P-1123) and another painting in Bogotá. The work, based on an Hel [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Drunken Silenus
Oil on canvas. 1630 - 1635
Fracanzano, Cesare
Drunken Silenus
Oil on canvas. 1630 - 1635
Fracanzano, Cesare

A satyr fills the wineglass of a fat, grotesque Silenus who smiles at another satyr seen from behind. This comic treatment of the classical myth derives from Ribera with whom Fracanzano worked from ar [+]

Up