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Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul
Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul

Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]

Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan
Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan

This painting entered the Museum as an original work by Jan Both, attribution that has been maintained in the catalogues until the present day. In 1973 Valdivieso identifies it as the picture listed i [+]

Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´
Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´

The painting featured here is an example of the characteristic compositions with poultry in which D`Hondecoeter specialised. This type of painting was brought to Utrecht in 1619 by Roeland Savery (157 [+]

Saint Margaret resuscitating a Young Man
Oil on canvas. Ca. 1620
Serodine, Giovanni
Saint Margaret resuscitating a Young Man
Oil on canvas. Ca. 1620
Serodine, Giovanni

This painting is both beautiful in appearance and enigmatic on account of its problems of attribution, its authorship having fluctuated between several artists, all belonging to the aesthetic environm [+]

El Cid's Daughters, from Romance XLIV of the Tesoro de Romanceros
Oil on canvas. 1871
Puebla y Tolín, Dióscoro Teófilo
El Cid's Daughters, from Romance XLIV of the Tesoro de Romanceros
Oil on canvas. 1871
Puebla y Tolín, Dióscoro Teófilo

Abused and raped by their husbands the Counts of Carrión, the daughters of El Cid –Doña Elvira and Doña Sol– were abandoned, bound and semi-naked, in a forest. In the background, [+]

The Embarkation of Saint Paula
Oil on canvas. Ca. 1639
Claude (Lorrain, Byname Of Claude Gellée)
The Embarkation of Saint Paula
Oil on canvas. Ca. 1639
Claude (Lorrain, Byname Of Claude Gellée)

A noble Roman widow and mother of five children, Saint Paula decided to retreat to the desert and abandon her worldly ways in favour of a life of prayer and penitence. In 285 AD she abandoned Rome wit [+]

The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

A broad landscape is the setting for Moses’s rescue from the Nile River by the Egyptian Pharaoh’s daughter and her retinue. In the foreground, a shepherd sleeps, indifferent to the events taking place [+]

Old Man reading by Candlelight
Oil on canvas. 1700 - 1706
Schalcken, Godfried
Old Man reading by Candlelight
Oil on canvas. 1700 - 1706
Schalcken, Godfried

The half-length figure of an old man is depicted against a dark background. He looks at the viewer out of the corner of his eye, with his torso turned slightly to the left and his head to the right, a [+]

The Baptism of Queen candace´s Eunuch
Oil on canvas. 1639 - 1641
Both, Jan
The Baptism of Queen candace´s Eunuch
Oil on canvas. 1639 - 1641
Both, Jan

This painting entered the museum as a work by Claude Lorrain, but in 1843, it appeared in the catalog as an original by Jan Both, an attribution that has been maintained in posterior catalogs and is a [+]

A harbour scene
Oil on canvas. 1638 - 1639
Rosa, Salvator
A harbour scene
Oil on canvas. 1638 - 1639
Rosa, Salvator

This work poses two main problems. The first is its assignment to the Buen Retiro group, and the second, directly linked to the first, is its date. In 1961 Marcel G. Roethlisberger noted the painting’ [+]

View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous
View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous

The painting resembles the View of Tivoli, in size, type of support and subject matter. Indeed, the overhanging rock in the foreground beside the fishermen would appear to be inspired by that beneath [+]

Liberation of Saint Peter
Oil on canvas. 1639
Ribera, Jusepe de, lo Spagnoletto
Liberation of Saint Peter
Oil on canvas. 1639
Ribera, Jusepe de, lo Spagnoletto

Saint Peter lies in prison where his sleep is interrupted by an angel who frees him. This subject allows Ribera to create a work in which he can show the very best of his mature style. The work combin [+]

Mountain Landscape with Hut and Vegetables
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Mountain Landscape with Hut and Vegetables
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

The painting entered the Museum`s holdings as a work of the school of Jan Both, but it is listed as an original by the painter in the 1843 catalogue. In 1973 Valdivieso identifies it as one of the lan [+]

The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1637
Leonardo, Jusepe
The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1637
Leonardo, Jusepe

En un lienzo de formato cuadrado el artista ha representado el momento en que el verdugo, por orden de Herodes, quien satisface el deseo de Salomé y la venganza de Herodías, su madre (Marcos, 6 14-29) [+]

Landscape with Wayfarers, Boy and Dog
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van
Landscape with Wayfarers, Boy and Dog
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van

The painting entered the Museum`s holdings as an original work by Herman van Swanevelt, an attribution that has been maintained by subsequent catalogues. In 1973 Valdivieso identifies it as the landsc [+]

Bishop Rovenius blessing a Family (that of Jacob van Wassenaer?)
Oil on canvas. Ca. 1650
Breenbergh, Bartholomeus
Bishop Rovenius blessing a Family (that of Jacob van Wassenaer?)
Oil on canvas. Ca. 1650
Breenbergh, Bartholomeus

This painting entered the holdings of the Museo del Prado as an anonymous Flemish work, although the 1873 catalogue reports the attribution to the Le Nain brothers proposed by M. de Chennevière [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo
Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo

While it is first listed in 1666 at the Alcázar, where it hung alongside Ribera’s Fable of Bacchus or Teoxenia (of which only three fragments have survived: two at the Museo del Prado and one i [+]

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