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This colossal head may be that of a giant, a figure taken from classical mythology in which such characters are described as being rough and primitive beings, possessed of remarkable strength and terr [+]
This canvas is one of a series of scenes from the life of Saint John the Baptist commissioned in Naples from Artemisa Gentileschi, Massimo Stanzione and Paolo Finoglia. They were painted for the chape [+]
La Virgen con el Niño en brazos; San José leyendo un libro. Obra cercana a la estancia del pintor en Roma en 1645. [+]
An angel announces to the elderly Zacharias the birth of his son, John the Baptist. The painting is one of a group of six canvases on the life of that saint, four of them by Stanzione, one by Artemisi [+]
This painting has traditionally featured in literature as the work of Jacob Isaaksz. van Ruisdael (1628-1682); this attribution is based on the signature but is disputed by various authors. During the [+]
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The Virgin sits with the Christ Child in the midst of grandiose classical architecture. She is surrounded by numerous saints in various positions. Above her, some angels prepare to crown her as Queen [+]
Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]
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Rape of Europa is a faithful copy made by Peter Paul Rubens in Madrid after an original by Titian. It shows the Phoenician princess Europa after she was abducted by Zeus, who had taken on the form of [+]
All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]
This is one of the few winter scenes painted by Hendrick Dubbels still preserved today. In the Museum`s catalogues it is described as a scene with skaters, although only three of the many characters d [+]
In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]
Cecelia, patron saint of music, sits before a harpsichord that rests on a pedestal conceived as a sculpture, reading a score held by two child angels. She is wrapped in ocher robes that partially hide [+]
Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]
The thin naked torso, the cloth made from rushes, the skull and the book suggest that the figure in the painting is a hermit; the bread crust in the foreground tells us that it is Saint Paul, the firs [+]
Seghers trained in Antwerp and was a member of the Jesuit Order. Around 1640 he started to paint reliefs with religious motifs framed by garlands. Works of this type proclaimed the legitimacy of image [+]
The shaft of a column and a curtain behind the figures define the indoor setting for a scene whose intimate familiarity is based on its naturalist resolution and the degree of realism with which both [+]
