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Agnus Dei
Oil on canvas. 1635 - 1640
Zurbarán, Francisco de
Agnus Dei
Oil on canvas. 1635 - 1640
Zurbarán, Francisco de

A dark background and a gray table are the setting for this painting’s only motive: a merino lamb between eight and twelve months old. Still alive, it lies with bound feet in an unmistakably sacrifici [+]

A Priest sacrificing for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano
A Priest sacrificing for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano

This painting belongs to the Neapolitan group of scenes of ancient Roman life that were ordered in the early to mid 1630s by the Viceroy of Naples, the Count of Monterrey, to decorate the Buen Retiro [+]

The Birth of the Virgin
Oil on canvas. 1650 - 1660
Quellinus, Erasmus
The Birth of the Virgin
Oil on canvas. 1650 - 1660
Quellinus, Erasmus

El pintor de Amberes Erasmus Quellinus II trabajó con Rubens en los inicios de su carrera en proyectos como la Pompa Introitus Ferdinandi (1635) y la decoración de la Torre de la Parada (1636-1638), d [+]

Saint Elisabeth of Portugal
Oil on canvas. Ca. 1635
Zurbarán, Francisco de
Saint Elisabeth of Portugal
Oil on canvas. Ca. 1635
Zurbarán, Francisco de

Born as princess of Aragon in 1271, the daughter of Peter III "the Great" and grand-daughter of James I "the Conqueror" married King Dinis of Portugal in 1293 and became queen of the country. Like her [+]

Saint Paul the Hermit
Oil on canvas. 1640
Ribera, José de
Saint Paul the Hermit
Oil on canvas. 1640
Ribera, José de

Saint Paul, the first hermit, is shown meditating before a skull in solitude. This work dates from the final stage of Ribera’s career, which, in contrast to the darkness of his early years, is a phase [+]

The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz
The Port of Amsterdam in Winter
Oil on canvas. 1656 - 1660
Dubbels, Hendrick Jacobsz

This is one of the few winter scenes painted by Hendrick Dubbels still preserved today. In the Museum`s catalogues it is described as a scene with skaters, although only three of the many characters d [+]

Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz
Still Life with a silver beaker and a clock
Oil on panel. 1633
Heda, Willem Claesz

In addition to the Roemer goblet, other glasses common in this kind of monochrome still life presented here include the Berkemeyer, in this case tipped over and broken, and the delicate Façon-d [+]

Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Pieter Paul
Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Pieter Paul

Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]

Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, José de
Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, José de

The thin naked torso, the cloth made from rushes, the skull and the book suggest that the figure in the painting is a hermit; the bread crust in the foreground tells us that it is Saint Paul, the firs [+]

Garland with the Virgin and Child
Oil on copperplate. 1644
Seghers, Daniel
Garland with the Virgin and Child
Oil on copperplate. 1644
Seghers, Daniel

Seghers trained in Antwerp and was a member of the Jesuit Order. Around 1640 he started to paint reliefs with religious motifs framed by garlands. Works of this type proclaimed the legitimacy of image [+]

Virgin and Child
Oil on canvas. Mid-XVIIcentury
Arias Fernández, Antonio
Virgin and Child
Oil on canvas. Mid-XVIIcentury
Arias Fernández, Antonio

The shaft of a column and a curtain behind the figures define the indoor setting for a scene whose intimate familiarity is based on its naturalist resolution and the degree of realism with which both [+]

Saint Peter freed by an Angel
Oil on canvas. 1630 - 1640
Marullo, Giuseppe
Saint Peter freed by an Angel
Oil on canvas. 1630 - 1640
Marullo, Giuseppe

El interés de esta obra singular estriba, sobre todo, en la personalidad de su autor, figura poco conocida de la pintura napolitana del siglo XVII, cuya producción, muy ligada a la de su maestro Máxim [+]

Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Pieter Paul; Bril, Paul
Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Pieter Paul; Bril, Paul

On a number of occasions, Peter Paul Rubens partially overpainted finished pictures. He did this to paintings by his own hand, such as Nymphs and Satyrs (P1666), which he retouched and enlarged twenty [+]

Venetian Lady
Oil on canvas. Mid-XVIIcentury
Anonymous
Venetian Lady
Oil on canvas. Mid-XVIIcentury
Anonymous

The seated model is sumptuously dressed, with silver-lamé collar and cuffs, a pearl choker and a very dark green dress with silver decorations on her skirt and gold ones on the bodice and sleev [+]

Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

Isabel de Borbón, Wife of Philip IV
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de
Isabel de Borbón, Wife of Philip IV
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de

The daughter of Henri IV of France and Marie de Médicis, Isabel de Borbón (1603-1644) was the first wife of Philip IV and the mother of Prince Baltasar Carlos and María Teresa of [+]

Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea
Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea

Lupercalia was a festival involving sacrifices to the two deities associated, respectively, with fecundity and childbirth: Pan and Lucina. As part of the celebrations, the men whipped their wives to m [+]

The Holy Family with an Oak Tree
Oil on panel. 1518 - 1520
Romano, Giulio; Raphael
The Holy Family with an Oak Tree
Oil on panel. 1518 - 1520
Romano, Giulio; Raphael

Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her lap. Jesus, in turn, is receiving a roll with the words Ecce Agnus Dei from Saint John. This Latin inscr [+]

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