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The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa
The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa

This canvas is one of a series of scenes from the life of Saint John the Baptist commissioned in Naples from Artemisa Gentileschi, Massimo Stanzione and Paolo Finoglia. They were painted for the chape [+]

A Priest sacrificing for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano
A Priest sacrificing for a Roman Emperor
Oil on canvas. Ca. 1635
Lanfranco, Giovanni Di Stefano

This painting belongs to the Neapolitan group of scenes of ancient Roman life that were ordered in the early to mid 1630s by the Viceroy of Naples, the Count of Monterrey, to decorate the Buen Retiro [+]

Overturned silver vase on a cloth
Oil on canvas. 1640 - 1642
Nuzzi, Mario
Overturned silver vase on a cloth
Oil on canvas. 1640 - 1642
Nuzzi, Mario

These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]

The Birth of John the Baptist announced to Zacharias
Oil on canvas. Ca. 1635
Stanzione, Massimo
The Birth of John the Baptist announced to Zacharias
Oil on canvas. Ca. 1635
Stanzione, Massimo

An angel announces to the elderly Zacharias the birth of his son, John the Baptist. The painting is one of a group of six canvases on the life of that saint, four of them by Stanzione, one by Artemisi [+]

Saint Peter weeping
Oil on copperplate. Ca. 1640
Domenichino (?)
Saint Peter weeping
Oil on copperplate. Ca. 1640
Domenichino (?)

Esta obra procede de la colección de Felipe V en el palacio de La Granja (Segovia), donde aparece inventariada como de escuela de Domenichino. Es probable que la versión original de esta composición s [+]

Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas
Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas

Cecelia, patron saint of music, sits before a harpsichord that rests on a pedestal conceived as a sculpture, reading a score held by two child angels. She is wrapped in ocher robes that partially hide [+]

Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Pieter Paul; Bril, Paul
Landscape with Psyche and Jupiter
Oil on canvas. Ca. 1610
Rubens, Pieter Paul; Bril, Paul

On a number of occasions, Peter Paul Rubens partially overpainted finished pictures. He did this to paintings by his own hand, such as Nymphs and Satyrs (P1666), which he retouched and enlarged twenty [+]

The Head of an Old Man
Oil on canvas. 1618 - 1620
Van Dyck, Anthony
The Head of an Old Man
Oil on canvas. 1618 - 1620
Van Dyck, Anthony

A bearded, grey-haired old man turns his head to the left over a black background. This is similar to another head by the same artist (P01694) and is probably a sketch or model for a larger work, inte [+]

Abraham and the Three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert
Abraham and the Three Angels
Oil on panel. Ca. 1640
Bramer, Leonaert

The date of this painting has been the subject of critical debate for over a century. The 1889 edition of the Prado catalogue states that it was signed but fails to mention a date. The 1910 version de [+]

Landscape with Mercury and Herse
Oil on panel. Ca. 1635
Francken II, Frans; Wildens, Jan
Landscape with Mercury and Herse
Oil on panel. Ca. 1635
Francken II, Frans; Wildens, Jan

In The Metamorphosis, the poet Ovid very precisely describes the moment when Mercury, on his way to Athens, met a group of Nymphs carrying offerings to the goddess Palas. Mercury immediately fell in l [+]

Landscape with a Vine
Oil on canvas. Ca. 1645
Hiepes, Tomás
Landscape with a Vine
Oil on canvas. Ca. 1645
Hiepes, Tomás

One of the distinguishing features of Tomás Hiepes´ oeuvre is his thematic versatility and the variety of formal solutions he used to exploit the possibilities of the still-life genre. Th [+]

Colossal Head
Oil on canvas. Ca. 1635
Carducho, Vicente (Attributed To)
Colossal Head
Oil on canvas. Ca. 1635
Carducho, Vicente (Attributed To)

This colossal head may be that of a giant, a figure taken from classical mythology in which such characters are described as being rough and primitive beings, possessed of remarkable strength and terr [+]

Martyrdom of Saint Peter Martyr
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto
Martyrdom of Saint Peter Martyr
Oil on canvas. Ca. 1650
Espinosa, Jerónimo Jacinto

Este lienzo es una de las obras más significativas de Espinosa en un período especialmente afortunado de su producción, con una notable influencia de Pedro Orrente, tanto en la gama tostada de su colo [+]

Garland surrounding the Virgin Mary
Oil on copperplate. 1640 - 1660
Verendael, Nicolaes Van
Garland surrounding the Virgin Mary
Oil on copperplate. 1640 - 1660
Verendael, Nicolaes Van

A lush garland of flowers, including roses and jasmine, surrounds a grisaille bust of the Virgin Mary. The motif of the Virgin surrounded by a garland of flowers was very frequent in Baroque Flemish p [+]

The raising of Lazarus
Oil on canvas. 1635 - 1640
Novelli, Pietro
The raising of Lazarus
Oil on canvas. 1635 - 1640
Novelli, Pietro

This painting has recently been identified as a work by Pietro Novelli, known as Il Monrealese on account of his having been born in Monreale, Sicily. It was considered until 1933 to be the work of Ne [+]

Felipe IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Felipe IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas
The Hunt of Meleager
Oil on canvas. 1634 - 1639
Poussin, Nicolas

Until very recently there was total confusion as to the origin of this painting and the circumstances surrounding its entry into the Royal Collection. Its original owner was formerly thought to have b [+]

Pablo de Valladolid
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Pablo de Valladolid
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

There were two categories of royal jesters: those whose attractiveness was based on their physical or mental limitations, and those who, lacking any such handicap, entertained with their personality o [+]

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