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This is one of the elegant hunting scenes Wouwerman painted in the early 1660s that reveal his extraordinary talent as landscape artist. In these works, rather than depicting a hunting scene set in fr [+]
The baton in the sitter’s right hand and the cannon indicate that he is an artillery general, while the insignia hanging from his neck denotes his membership of the Order of Calatrava. Stylistically t [+]
The scene is closed in to the left by part of the inn and a tree, whereas the right-hand side opens out onto a vast panoramic view with a low horizon that occupies the entire background. The compositi [+]
Acquired by Philip V for the Royal Palace of La Granja de San Idelfonso, where it appeared in a 1727 inventory, Carnival in Rome, 1653, is one of the best known paintings by Flemish artist Jan Miel. I [+]
This painting belongs to a series of scenes of hunting parties at the entrance to country manors or villas built in a classical style. They all document a series of innovations in fashion and dressage [+]
The present painting entered the Museum as an original work by Jan Both. This attribution is maintained in subsequent catalogues and accepted by all authors. This landscape is an exception among those [+]
Shortly after he painted the Pentecost for the high altar of the church of San Pedro Mártir in Toledo, Maíno executed this second version on a larger scale and in a wider format, which a [+]
This painting entered the Museum as an original work by Jan Both, attribution that has been maintained in the catalogues until the present day. In 1973 Valdivieso identifies it as the picture listed i [+]
This painting entered the Museum`s holdings as Saint Francis in the Brambles by Jan Both. The scene is correctly classified in the catalogue of 1873. A decade later Valdivieso (1973) identifies it as [+]
Dressed completely in black, with a widow´s headdress and simple jewelry, Marie de Medici is portrayed as the Queen Mother, after having governed France as a Reagent from 1610 to 1617. As one of Ruben [+]
En un lienzo de formato cuadrado el artista ha representado el momento en que el verdugo, por orden de Herodes, quien satisface el deseo de Salomé y la venganza de Herodías, su madre (Marcos, 6 14-29) [+]
The painting entered the Museum as an original work by Jan Both, an attribution that has been maintained in subsequent catalogues and which is also supported by Valdivieso (1973) and Barghahn (1986). [+]
The present painting may be considered a companion piece to the previous work on account of its format, size, compositional scheme and subject matter. It entered the Museum`s holdings as an original w [+]
Guido Reni`s painting shows a young Cupid facing the viewer, with the seashore behind him, his left leg bent and left foot resting on a slab of stone. Cupid raises his left hand to a dove and with his [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
As depicted here, the encounter between Mary Magdalene and the resurrected Christ follows a composition by Dürer. Characteristic of this painter, born in Madrid and trained in Rome, are the human [+]
These four paintings of flowers and sumptuary objects (P250, P251, P252 and P3239) are part of those sent from Rome to Madrid by Mario Nuzzi and other artists for the decoration of the Buen Retiro Pal [+]
