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This portrait was listed as an original by Schalcken in the collection of the Duke of Arcos, an attribution that is maintained by Tormo and Valdivieso (1973). Behermann (1988) ascribes it to Karel de [+]
This painting is both beautiful in appearance and enigmatic on account of its problems of attribution, its authorship having fluctuated between several artists, all belonging to the aesthetic environm [+]
A group of local people dance to the sound of bagpipes and a hurdy-gurdy in honour of a bride, who presides at the table in the background, surrounded by what seem to be older relatives or guests. The [+]
According to the Book of Genesis (Gen. 1: 4, 3-12), Adam´s sons each made offerings to the Lord, who was pleased with Abel´s but not with Cain´s. Jealous of his brother, Cain slew Abel, suffering the [+]
This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]
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Depictions of painting galleries became popular in the Netherlands at the beginning of the 17th century. The exhibition of paintings and other artistic or natural objects was originally a way of manif [+]
This scene belongs to the type of Italianate landscape which Asselijn cultivated in Holland based on drawings and sketches made from the life during his stay in Rome. Blankert (1965) dates the work to [+]
This painting has recently been identified as a work by Pietro Novelli, known as Il Monrealese on account of his having been born in Monreale, Sicily. It was considered until 1933 to be the work of Ne [+]
Jusepe Leonardo, nacido en Calatayud en 1601, pasó pronto a Madrid, siendo discípulo de Pedro de las Cuevas y viviendo en su casa entre 1616 y 1621. En 1635 colabora en la decoración del Buen Retiro, [+]
The structure of the composition is based on parallel planes, although their arrangement lacks spatial depth. The horizon line is high. The main action unfolds in the foreground. The figures are large [+]
A young man holds a musical instrument that has been identified as a long-necked lute or guitarrón. His black clothing and the dark background leave his flesh tones and the white touches of his [+]
This canvas was part of the decoration of the chapel dedicated to that saint at the Franciscan convent of Santa María de Jesús (known as San Diego de Alcalá) in Alcalá de H [+]
This painting shows the finale of a brutal encounter between two female fighters. The woman on the right has attained the upper hand over her opponent, who has fallen injured to the ground, and is abo [+]
Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]
The view is from the riverbank opposite the city, where several groups of people are spread out, enlivening the composition. In the background one can see Saragossa´s main buildings and Felipe IV ente [+]
Pieta, 1626, was acquired by Charles II in 1689 at the auction of Gaspar de Haro y Guzmán, seventh Marquis of Carpio, who was the Spanish King’s ambassador to Rome and subsequently his viceroy [+]
Until 1956, this painting was attributed to Pietro da Cortona, an understandable mistake, given how close Romanelli’s style was to that of his teacher. In fact, it appears as such in Charles II’s will [+]
