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Dutch Lady
Oil on panel. 1620 - 1630
Anonymous
Dutch Lady
Oil on panel. 1620 - 1630
Anonymous

Since it entered the Museum, this picture has been attributed to Michiel Jansz. van Mierevelt (1567-1641), but this ascription cannot be sustained. The type of modelling and the treatment of the light [+]

Marianne of Austria, Queen of Spain
Oil on copperplate. Ca. 1655
Anonymous
Marianne of Austria, Queen of Spain
Oil on copperplate. Ca. 1655
Anonymous

Mariana de Austria, hija del emperador Fernando III (1608-1675) y de la infanta española María Ana de Austria, hija menor de Felipe III y de Margarita de Austria (1606-1646), nació en el Palacio Imper [+]

Earth
Oil on canvas. 1675 - 1700
Anonymous
Earth
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Garland of Fruit and Vegetables
Oil on canvas. Before 1650
Anonymous
Garland of Fruit and Vegetables
Oil on canvas. Before 1650
Anonymous

[+]

The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous
The Lamentation over the Dead Body of Christ
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. First half of the XVII century
Anonymous

In a pencil note on the old mount, Michael Hirst has written: Copy after lost Polidoro. The drawing is by a seventeenth-century hand, and it is not impossible that it is by Pietro Testa. [+]

The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous
The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous

Dibujo en el que se representa a la Virgen en pie a la izquierda que avanza de frente sobre una nube sostenida por angelitos. A la derecha en la parte baja, San Bernardo aparece arrodillado. Copia pos [+]

Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous
Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous

Dibujo en el que se representa a Susana sentada en primer término junto a una fuente mientras rechaza a las figuras de ancianos que están a su espalda. Podría ser dibujo romano de la segunda mitad del [+]

The Visitation
Pencil, Grey-brown wash, White lead on yellow laid paper. First half of the XVII century
Anonymous
The Visitation
Pencil, Grey-brown wash, White lead on yellow laid paper. First half of the XVII century
Anonymous

A la izquierda, de perfil hacia la derecha, Santa Isabel se aproxima, con los brazos abiertos, a la Virgen que la recibe y la abraza.De la primera mitad del siglo XVII, y de nada fácil clasificación. [+]

Saint Sebastian
Pencil, Grey-brown wash on yellow laid paper. 1650 - 1660
Anonymous
Saint Sebastian
Pencil, Grey-brown wash on yellow laid paper. 1650 - 1660
Anonymous

San Sebastián aparece representado atado a un grueso tronco, con una pierna en tierra y la otra atada a cierta altura. La cabeza alzada al cielo.La atribución a Carreño no parece suficientemente funda [+]

The Annunciation
Red chalk on dark yellow paper. 1650 - 1700
Anonymous
The Annunciation
Red chalk on dark yellow paper. 1650 - 1700
Anonymous

La composición inscrita en un óvalo, en ella se representa a la Virgen sentada con las manos en el regazo mientras alza la cabeza hacia el ángel que vuela hacia ella. En el reverso hay apuntes para un [+]

The Virgin and Child
Black chalk on dark yellow paper. 1650 - 1700
Anonymous
The Virgin and Child
Black chalk on dark yellow paper. 1650 - 1700
Anonymous

Dibujo en el que se representa a la Virgen, con una gran aureola, que sostiene al Niño en su regazo y con la mano izquierda levanta un paño. Su atribución a A. Sacchi es insostenible. Es tal vez roman [+]

Solomon Receiving the Queen of Sheba
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. First half of the XVII century
Anonymous
Solomon Receiving the Queen of Sheba
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. First half of the XVII century
Anonymous

Inscribed on the old mount, lower center, in brown ink: zucheri. In spite of the old attribution, the composition and figure types are entirely characteristic of Baglione. However, the poor handling i [+]

The Death of the Virgin
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First half of the XVII century
Anonymous
The Death of the Virgin
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First half of the XVII century
Anonymous

Dibujo en el que se representa a la Virgen en su lecho en el centro de la composición. Uno de los apóstoles se inclina hacia ella, tomándole la mano; a su alrededor, el resto de apóstoles en diferente [+]

The Virgin and Child
Black chalk on white paper. 1650 - 1700
Anonymous
The Virgin and Child
Black chalk on white paper. 1650 - 1700
Anonymous

Dibujo que presenta a la Virgen sentada sobre nubes que sostiene al Niño Jesús sentado sobre una de sus rodillas. Es boloñés de la segunda mitad del S. XVII (Texto extractado de Mena Marqués, M.: Catá [+]

Figure of Christ, from a Composition of “Noli me tangere”
Pencil, Grey-brown ink on paper. First half of the XVII century
Anonymous
Figure of Christ, from a Composition of “Noli me tangere”
Pencil, Grey-brown ink on paper. First half of the XVII century
Anonymous

The drawing was almost certainly copied from the corresponding detail in an engraving by Luca Ciamberlano of 1609, which reproduces the painting by Barocci commissioned by Buonvisi family of Lucca and [+]

The Emperor Hadrian
Marble. 1600 - 1650
Anonymous
The Emperor Hadrian
Marble. 1600 - 1650
Anonymous

This portrait of Hadrian (117-138 AD) does not follow a specific classical model, freely interpreting elements such as the curls of his hair and his expression. It may have belonged to Queen Christina [+]

Egyptian Priest
Grey marble. 130 - 140
Anonymous
Egyptian Priest
Grey marble. 130 - 140
Anonymous

This statue and its pair (E00414) were found in the area of the Egyptian sanctuaries at Hadrian’s Villa in Tivoli, near Rome. Cardinal Camillo Massimo (1620-1677), their first owner following their re [+]

Pharaoh (?)
Grey marble. 130 - 140
Anonymous
Pharaoh (?)
Grey marble. 130 - 140
Anonymous

It is not certain that this figure depicts a pharaoh as the head is a later addition, and its only attribute is a small animal beneath the left foot. This image and its pair (E00415) are executed in a [+]

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